Pierre Maleuvre, Le boudoir, 1740, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7292

Pierre Maleuvre, Le curieux, 1740, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2826

Jean-Baptiste Blaise Simonet, Rose et Colas, 1742, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3146

Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900476-0

Pietro Longhi, The Faint, c. 1744, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/204

Joseph Siffred Duplessis, Benjamin Franklin (1706–1790), 1745, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436238

François Voyez, Mme. XXX en Flore, 1746, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2793

Charles-Nicolas Cochin I, Le Garcon cabaretier, 1740, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2785

Nicolas Ponce, Les cerises, 1746, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2822

Jean-Baptiste Blaise Simonet, Le danger du tete-a-tete, 1742, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2827

Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900475-0

Bernardo Bellotto, The Campo di SS. Giovanni e Paolo, Venice, 1743/1747, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1144

Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900504-1

Nicolas de Larmessin IV, Le midi, 1741, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2744

Jean-Mathieu Chevallier, Chest of Drawers (commode), mid-18th century, possibly 1743/1744, veneered on oak stained black with tulipwood, kingwood, sycamore, purplewood, boxwood, and other woods, some showing traces of having been colored by staining; gilded bronze mounts; marble top, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1574

Louis de Surugue de Surgis, Le desir de plaire, 1743, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3076

Jean-Baptiste Morret, Le paysan mecontent, 1740, color aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2869

Jean-Baptiste Blaise Simonet, Rose et Colas, 1742, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2852

François Marie Isidore Queverdo, Nouvelles du bien-aime, 1748, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3081

Gerard Rene Le Vilain, Le repentir tardif, 1740, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3049

François Boucher, Apollo and Clytie, 1747–67, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.16

Gérard Vidal, Le dejeuner anglais, 1742, aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2732

Nicolas François Regnault, Le bain (The Bath), 1746, color stipple etching and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2820

Jacques-François-Joseph Saly, Bust of a Little Girl, model 1744, cast probably 1750/1753, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1267

Pierre Maleuvre, Flore a son lever, 1740, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2815

Jean Siméon Chardin, The Little Schoolmistress, after 1740, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/98

Jeanne Deny, Le consomme, 1749, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3052

Pierre Maleuvre, La nuit passe, l'Aurore parait, 1740, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2758

Charles-Nicolas Cochin I, L'Ecureuse, 1740, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2784

Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900474-1

Etienne Claude Voysard, L'innocence inspire la tendresse, 1746, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2960

Pietro Longhi, The Game of the Cooking Pot, c. 1744, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/205

Charles Emmanuel Patas, La nuit, 1744, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2915

Pierre Adrien Le Beau, Roxelane, 1748, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2906

François Voyez, Le fruit de l'amour secret, 1746, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2831

Nicolas François Regnault, Le Baiser à la Derobée (The Stolen Kiss), 1746, stipple etching [proof before engraved title], National Gallery of Art, Washington. https://dartabase.art/cite/nga/2754

François Boucher, The Chinese Fair, designed 1742 (woven 1743–1745), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.14

Jean Gabriel Caquet, La soiree du Palais Royal, 1749, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3113

Bernard Lépicié, Jeune fille au volant (Jeune fille a la raguette), 1742, engraving [progress proof], National Gallery of Art, Washington. https://dartabase.art/cite/nga/2787

Gérard Vidal, Les prunes, 1742, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2882

François Marie Isidore Queverdo, L'indiscret, 1748, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3079

Jacques-Philippe Le Bas, Le neglige, ou la toilette du matin, 1741, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2789

Jean-Marc Nattier, Bildnis der Anna Elisabeth Leerse (1698-1776), 1749, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1198

Jean-Marc Nattier, Portrait of a Woman, c. 1748, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125951

Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900503-0

Nicolas Joseph Voyez, La premiere lecon d'amour, 1742, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2981

Charles Emmanuel Patas, Le jour, 1744, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2914

Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900495-0

Johann Georg Platzer, The Artist's Studio, 1740s–50s, oil on copper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/170235

Nicolas de Larmessin IV, La soiree, 1741, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2746

Jean Siméon Chardin, Stillleben mit Rebhuhn und Birne, 1748, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2113

Gérard Vidal, Le roi d'Ethiopie, 1742, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3070

Pierre Louis de Surugue, Mme. de M ... en habit de bal, 1746, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2880

Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900460-1

Jean-Marc Nattier, Bildnis des Frankfurter Bankiers Johann Georg Leerse (1691-1762), 1749, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1197

Louis de Surugue de Surgis, Les plaisir de l'ete, 1744, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3077

Canaletto, La libreria. V., in or before 1742, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/764

Canaletto, The House with the Inscription [left], 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/760

Gérard Vidal, Venus et Adonis, 1742, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3069

Giovanni Battista Piranesi, Title Plate, published 1749/1750, etching, engraving, sulphur tint or open bite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/782

Gerard Rene Le Vilain, Le repentir tardif, 1740, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3047

Charles Nicolas Varin, Le concert agreable, 1741, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2731

Jean Desforges, Corner-Cupboard (encoignure), probably 1745/1749, veneered on oak, stained black, with ebonized wood; japanned on each door with _vernis Martin_; gilded bronze mounts; black and gold Portor marble top, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1577

Jean Desforges, Chest of Drawers (commode), 1745/1749, veneered on oak, mostly stained black, with panels of Japanese black-and-gold (_togidashi_) lacquer; gilded bronze mounts; marble top, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1568

Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900473-1

Gerard Rene Le Vilain, Le repentir tardif, 1740, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3048

Gérard Vidal, La lecon interrompue, 1742, aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2733

Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900457-1

Jean Massard, La vertu chancelante, 1740, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3150

Jean-Baptiste Blaise Simonet, Rose et Colas, 1742, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2771

Robert Delaunay, Mort de Julie, 1749, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3127

Francois-Robert Ingouf, La promenade du soir, 1747, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7289

Pierre Adrien Le Beau, Le danger des bosquets, 1748, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3101

Canaletto, The House with the Peristyle, 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/761

Bernard Lépicié, La ratisseuse, 1742, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2790

Charles Cressent, Writing Table (bureau plat), c. 1740/1745, veneered on oak and pine with kingwood, tulipwood, purplewood, boxwood, and ebony; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1583

Nicolas François Regnault, Le Lever, 1746, color stipple etching and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2821

Giovanni Paolo Panini, Interior of the Pantheon, Rome, 1747, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/147938

Nicolas de Larmessin IV, L'apres-diner, 1741, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2745

Jean-Baptiste Oudry, A Hare and a Leg of Lamb, 1742, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/144743

Charles Louis Lingée, L'occupation, 1748, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7291

Nicolas de Larmessin IV, Le matin, 1741, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2743

Antoine-Jean Duclos, La provocation, 1742, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3117

François Boucher, Academic Study of a Reclining Male Nude, c. 1750, Black chalk, with stumping and touches of red chalk, heightened with white chalk, on cream laid paper, laid down on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196175

Gérard Vidal, Les cerises, 1742, etching on laid paper (proof), National Gallery of Art, Washington. https://dartabase.art/cite/nga/2881

Pierre Louis de Surugue, Mme. de M ... en habit de bal, 1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2879

Pierre Adrien Le Beau, Le desirs naissants, 1748, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3102

François Marie Isidore Queverdo, Nouvelles du bien-aimè, 1748, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3080

Jean-Baptiste-Pierre Le Brun, Monks in a Cathedral, 1748, pen and brown ink with brown wash and white heightening over graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8461

Jean Desforges, Corner-Cupboard (encoignure), probably 1745/1749, veneered on oak, stained black, with ebonized wood, sycamore and kingwood veneers; japanned on each door with _vernis Martin_; gilded bronze mounts; black and gold Portor marble top, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1578

Pierre-Charles Ingouf, Les moeurs du temps, 1746, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2739