Okumura Masanobu, Boys Masquerading as Chinese, c. 1748, Woodblock print; oban benizuri-e with embossing, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/19502

Pierre Maleuvre, Le boudoir, 1740, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7292

French, Watch with oval medallion of a boy and girl playing with a dog, c. 1766, gold, colored enamel, brilliants, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/58.103

Pierre Maleuvre, Le curieux, 1740, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2826

William - Printer, BARON, Bernard Hogarth, Marriage a la Mode, plate III. The scene with the quack, 1745, repr. 19th C., Line and stipple engraving, etching on buff wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/578

Jean-Baptiste Blaise Simonet, Rose et Colas, 1742, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3146

François Joseph Marteau, Snuffbox, 1743–1744, gold, rubies (or spinels), emeralds (or beryls), diamonds, mounted in silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.165

John Baptist - Engraver, BASSANO, after Jacopo Jackson, Dives and Lazarus, c.1743, Chiaroscuro woodcut on laid handmade paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14278

Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900476-0

Pietro Longhi, The Faint, c. 1744, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/204

Joseph Siffred Duplessis, Benjamin Franklin (1706–1790), 1745, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436238

François Voyez, Mme. XXX en Flore, 1746, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2793

Paul Jacques de Lamerie, Tea Caddy, 1741–1742, silver gilt, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122920

Anton Raphael Mengs, Holy Family with St. John the Baptist, mid-18th century, Pen and brown ink, squared for transfer in black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334925

Charles-Nicolas Cochin I, Le Garcon cabaretier, 1740, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2785

Allan Ramsay, Portrait of a Gentleman, 1745, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.107

Nicolas Ponce, Les cerises, 1746, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2822

François Boucher, Venus avec deux angelots (Venus with two cherubs), c.1740, Red, black and white chalk on light brown laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11483

Jean-Baptiste Blaise Simonet, Le danger du tete-a-tete, 1742, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2827

Sigmund Freudenberger, La toilette, 1745, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2974

Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900475-0

Robert Feke, Charles Apthorp, 1748, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/99429

Claude Joseph Vernet, Study of a Warship's Prow with British Warships and Naples Harbor Beyond, c. 1748, Pen and iron gall ink, with brush and dark gray, light gray and brownish gray wash, over black chalk, on ivory laid paper, laid down on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/207321

Bernardo Bellotto, The Campo di SS. Giovanni e Paolo, Venice, 1743/1747, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1144

Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900504-1

Nicolas de Larmessin IV, Le midi, 1741, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2744

Jean-Mathieu Chevallier, Chest of Drawers (commode), mid-18th century, possibly 1743/1744, veneered on oak stained black with tulipwood, kingwood, sycamore, purplewood, boxwood, and other woods, some showing traces of having been colored by staining; gilded bronze mounts; marble top, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1574

Allan Ramsay, Portrait of William Foster, 1741, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14604

William - Printer, RAVENET I, Simon Francois Hogarth, Marriage a la Mode, plate V. The death of the earl, 1745, repr. 19th C., Line and stipple engraving, etching on buff wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11323

Louis de Surugue de Surgis, Le desir de plaire, 1743, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3076

Jean-Baptiste Morret, Le paysan mecontent, 1740, color aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2869

Ishikawa Toyonobu, A Courtesan Holding a Lantern and a Fan, c. 1745, Hand-colored woodblock print; wide hashira-e, urushi-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21447

William - Printer, RAVENET I, Simon Francois Hogarth, Marriage a la Mode, plate IV. The countess's levee, 1745, repr. 19th C., Line and stipple engraving, etching on buff wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2196

MEISSEN, Cup and saucer, with relief basket weave pattern, decorated with birds and insects design, c.1745, Hard-paste porcelain with polychrome overglaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3715

Jean-Baptiste Blaise Simonet, Rose et Colas, 1742, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2852

François Marie Isidore Queverdo, Nouvelles du bien-aime, 1748, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3081

Gerard Rene Le Vilain, Le repentir tardif, 1740, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3049

François Boucher, Apollo and Clytie, 1747–67, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.16

Gérard Vidal, Le dejeuner anglais, 1742, aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2732

Nicolas François Regnault, Le bain (The Bath), 1746, color stipple etching and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2820

Jacques-François-Joseph Saly, Bust of a Little Girl, model 1744, cast probably 1750/1753, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1267

United States (Pennsylvania), Tilt-top table, c. 1740–75, Walnut, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.17.2

Pierre Maleuvre, Flore a son lever, 1740, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2815

Anton Raphael Mengs, Seated Nude Male, n.d., Black chalk, heightening with white, brown wash (?), on gray-brown paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334926

Jean Siméon Chardin, The Little Schoolmistress, after 1740, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/98

Jeanne Deny, Le consomme, 1749, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3052

Pierre Maleuvre, La nuit passe, l'Aurore parait, 1740, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2758

Charles-Nicolas Cochin I, L'Ecureuse, 1740, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2784

Ishikawa Toyonobu, The Actors Nakamura Kiyosaburo I as Matsuyama and Ichimura Kamezo I as Wanya Kyubei in the play "Yoritomo Gunbai Kagami," performed at the Ichimura Theater in the eleventh month, 1749, 1749, Color woodblock print; ōban, benizuri-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88904

Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900474-1

Etienne Claude Voysard, L'innocence inspire la tendresse, 1746, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2960

Pietro Longhi, The Game of the Cooking Pot, c. 1744, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/205

Christian Wilhelm Ernst Dietrich, Christ Healing the Sick, 1742, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436199

Charles Emmanuel Patas, La nuit, 1744, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2915

Jacob Hurd, Punch strainer, c. 1740–50, Silver, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.52

Pierre Adrien Le Beau, Roxelane, 1748, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2906

François Voyez, Le fruit de l'amour secret, 1746, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2831

GEORGIAN STYLE, Salver, c.1746–47, Silver with scroll edges and Central shield engraved with three bird ornaments, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2463

Nicolas François Regnault, Le Baiser à la Derobée (The Stolen Kiss), 1746, stipple etching [proof before engraved title], National Gallery of Art, Washington. https://dartabase.art/cite/nga/2754

François Boucher, The Chinese Fair, designed 1742 (woven 1743–1745), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.14

James - Engraver, POUSSIN, after Gaspard Mason, Classical landscape, published 1744, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12529

Christian Wilhelm Ernst Dietrich, Saint Francis Reading, 1747, Red chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334802

William Hogarth, The battle of the pictures, c.1744–45, Steel engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12701

Okumura Masanobu, Shoki the Demon Queller Marching to the Left, c. 1745, Woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/44353

Jean Gabriel Caquet, La soiree du Palais Royal, 1749, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3113

Carl Guttenberg, L'invocation a l'amour, 1743, stipple etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2799

Bernard Lépicié, Jeune fille au volant (Jeune fille a la raguette), 1742, engraving [progress proof], National Gallery of Art, Washington. https://dartabase.art/cite/nga/2787

Gérard Vidal, Les prunes, 1742, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2882

François Marie Isidore Queverdo, L'indiscret, 1748, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3079

Jacques-Philippe Le Bas, Le neglige, ou la toilette du matin, 1741, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2789

Jean-Marc Nattier, Bildnis der Anna Elisabeth Leerse (1698-1776), 1749, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1198

Jean-Marc Nattier, Portrait of a Woman, c. 1748, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125951

Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900503-0

UNKNOWN, Dish, Chinese export porcelain decorated with flower, rock and bird design, 1740–60, Hard-paste porcelain, wheelthrown with light grey glaze and polychrome overglaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7341

UNKNOWN, [A holy man and his pupils], 1740, Ink with white pigment on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16956

Nicolas Joseph Voyez, La premiere lecon d'amour, 1742, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2981

Charles Emmanuel Patas, Le jour, 1744, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2914

Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900495-0

UNKNOWN, Plate, Chinese export porcelain decorated with flowers, fence and pomegranate design, 1740–60, Hard-paste porcelain, wheelthrown with light grey glaze and polychrome overglaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10529

Johann Georg Platzer, The Artist's Studio, 1740s–50s, oil on copper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/170235

Continental Painter, Portrait of a Woman, 1745, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435932

Nicolas de Larmessin IV, La soiree, 1741, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2746

Jean Siméon Chardin, Stillleben mit Rebhuhn und Birne, 1748, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2113

Follower of Allan Ramsay, Portrait of a Lady, c. 1744, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.108

Continental Painter, Portrait of a Woman, 1740, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435931

Giuseppe Ghislandi, called Fra Galgario, Portrait of Giuseppe Alberto de Ambiveri, Vicar of the Mines of Bergamo, c. 1740, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/29.32

William - Painter and engraver, MOSLEY, C. Hogarth, The roast beef of Old England, published 1749, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12755

Gérard Vidal, Le roi d'Ethiopie, 1742, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3070

William Hogarth, Mr Garrick in the character of Richard III, 1746, Steel engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/8787

Pierre Louis de Surugue, Mme. de M ... en habit de bal, 1746, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2880

Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900460-1

John Wollaston, A Gentleman of the Morris Family, 1749/1752, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1135

Ishikawa Toyonobu, Courtesan Reading a Letter, c. 1745, Hand-colored woodblock print; toku-oban, urushi-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/8191

Jean-Marc Nattier, Bildnis des Frankfurter Bankiers Johann Georg Leerse (1691-1762), 1749, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1197

Okumura Masanobu, Shoki, the Demon Queller, c. 1745, Hand-colored woodblock print; habahiro hashira-e, urushi-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/44343

Louis de Surugue de Surgis, Les plaisir de l'ete, 1744, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3077

Canaletto, La libreria. V., in or before 1742, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/764

Canaletto, The House with the Inscription [left], 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/760

Adrian Bancker, Punch Bowl, c. 1750, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/781

Gérard Vidal, Venus et Adonis, 1742, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3069

Giovanni Battista Piranesi, Title Plate, published 1749/1750, etching, engraving, sulphur tint or open bite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/782

Gerard Rene Le Vilain, Le repentir tardif, 1740, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3047

Charles Nicolas Varin, Le concert agreable, 1741, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2731

Samuel Burt, Cream jug, c. 1742, Silver, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.2

Jean Desforges, Corner-Cupboard (encoignure), probably 1745/1749, veneered on oak, stained black, with ebonized wood; japanned on each door with _vernis Martin_; gilded bronze mounts; black and gold Portor marble top, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1577

Jean Desforges, Chest of Drawers (commode), 1745/1749, veneered on oak, mostly stained black, with panels of Japanese black-and-gold (_togidashi_) lacquer; gilded bronze mounts; marble top, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1568

Carl Guttenberg, L'invocation a l'amour, 1743, stipple etching with retouching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3105

Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900473-1

Gerard Rene Le Vilain, Le repentir tardif, 1740, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3048

Gérard Vidal, La lecon interrompue, 1742, aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2733

Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900457-1

Jean Massard, La vertu chancelante, 1740, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3150

Jean-Baptiste Blaise Simonet, Rose et Colas, 1742, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2771

Robert Delaunay, Mort de Julie, 1749, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3127

Francois-Robert Ingouf, La promenade du soir, 1747, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7289

William - Printer, SCOTIN, Gérard Jean-Baptiste Hogarth, Marriage a la Mode, plate I. The marriage contract, 1745, repr. 19th C., Line and stipple engraving, etching on buff wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6543

Pierre Adrien Le Beau, Le danger des bosquets, 1748, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3101

Canaletto, The House with the Peristyle, 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/761

Bernard Lépicié, La ratisseuse, 1742, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2790

Charles Cressent, Writing Table (bureau plat), c. 1740/1745, veneered on oak and pine with kingwood, tulipwood, purplewood, boxwood, and ebony; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1583

GEORGIAN STYLE, Ladel, c.1746–47, Silver, turned ebony handle, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10090

England, Goblet, c. 1745–65, Lead glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.494

Nicolas François Regnault, Le Lever, 1746, color stipple etching and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2821

Giovanni Paolo Panini, Interior of the Pantheon, Rome, 1747, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/147938

Nicolas de Larmessin IV, L'apres-diner, 1741, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2745

William - Printer, SCOTIN, Gérard Jean-Baptiste Hogarth, Marriage à la Mode, plate VI. The death of the countess, 1745, repr. 19th C., Line and stipple engraving, etching on buff wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1121

Pompeo Girolamo Batoni, Allegorie der Künste, 1740, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/730

Jean-Baptiste Oudry, A Hare and a Leg of Lamb, 1742, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/144743

Charles Louis Lingée, L'occupation, 1748, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7291

Nicolas de Larmessin IV, Le matin, 1741, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2743

Antoine-Jean Duclos, La provocation, 1742, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3117

François Boucher, Academic Study of a Reclining Male Nude, c. 1750, Black chalk, with stumping and touches of red chalk, heightened with white chalk, on cream laid paper, laid down on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196175

Gérard Vidal, Les cerises, 1742, etching on laid paper (proof), National Gallery of Art, Washington. https://dartabase.art/cite/nga/2881

Pierre Louis de Surugue, Mme. de M ... en habit de bal, 1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2879

Hendrik De Leth, World map: 'Mappe Monde ou Déscription du Globe Terrestre', Amsterdam, 1740, Engraving with contemporary hand-colouring on paper (folded), Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/18277

William - Printer, BARON, Bernard Hogarth, Marriage a la Mode, plate II. The breakfast scene, 1745, repr. 19th C., Line and stipple engraving, etching on buff wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5

Pierre Adrien Le Beau, Le desirs naissants, 1748, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3102

French School 18th century, Study of a Pumpkin Plant against a Rocky Background, c.1740, Chalk, pastel and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04152

François Marie Isidore Queverdo, Nouvelles du bien-aimè, 1748, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3080

Richard Earlom, Rembrandt's Wife, 1743, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6831

Continental (possibly Swiss) Painter, Portrait of a Man, 1745, Enamel, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435939

Jean-Baptiste-Pierre Le Brun, Monks in a Cathedral, 1748, pen and brown ink with brown wash and white heightening over graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8461

Marco Alvise Pitteri, Portrait of the Painter Giovanni Battista Piazzetta, c. 1750, Engraving in black on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/40137

John Wollaston, Mary Walton Morris, 1749/1752, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1134

Jean Desforges, Corner-Cupboard (encoignure), probably 1745/1749, veneered on oak, stained black, with ebonized wood, sycamore and kingwood veneers; japanned on each door with _vernis Martin_; gilded bronze mounts; black and gold Portor marble top, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1578

Pierre-Charles Ingouf, Les moeurs du temps, 1746, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2739