Okumura Masanobu, Boys Masquerading as Chinese, c. 1748, Woodblock print; oban benizuri-e with embossing, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/19502 Pierre Maleuvre, Le boudoir, 1740, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7292 Pierre Maleuvre, Le curieux, 1740, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2826 Jean-Baptiste Blaise Simonet, Rose et Colas, 1742, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3146 Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900476-0 Pietro Longhi, The Faint, c. 1744, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/204 Joseph Siffred Duplessis, Benjamin Franklin (1706–1790), 1745, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436238 François Voyez, Mme. XXX en Flore, 1746, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2793 Paul Jacques de Lamerie, Tea Caddy, 1741–1742, silver gilt, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122920 Anton Raphael Mengs, Holy Family with St. John the Baptist, mid-18th century, Pen and brown ink, squared for transfer in black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334925 Charles-Nicolas Cochin I, Le Garcon cabaretier, 1740, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2785 Allan Ramsay, Portrait of a Gentleman, 1745, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.107 Nicolas Ponce, Les cerises, 1746, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2822 Jean-Baptiste Blaise Simonet, Le danger du tete-a-tete, 1742, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2827 Sigmund Freudenberger, La toilette, 1745, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2974 Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900475-0 Robert Feke, Charles Apthorp, 1748, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/99429 Claude Joseph Vernet, Study of a Warship's Prow with British Warships and Naples Harbor Beyond, c. 1748, Pen and iron gall ink, with brush and dark gray, light gray and brownish gray wash, over black chalk, on ivory laid paper, laid down on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/207321 Bernardo Bellotto, The Campo di SS. Giovanni e Paolo, Venice, 1743/1747, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1144 Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900504-1 Nicolas de Larmessin IV, Le midi, 1741, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2744 Jean-Mathieu Chevallier, Chest of Drawers (commode), mid-18th century, possibly 1743/1744, veneered on oak stained black with tulipwood, kingwood, sycamore, purplewood, boxwood, and other woods, some showing traces of having been colored by staining; gilded bronze mounts; marble top, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1574 Louis de Surugue de Surgis, Le desir de plaire, 1743, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3076 Jean-Baptiste Morret, Le paysan mecontent, 1740, color aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2869 Ishikawa Toyonobu, A Courtesan Holding a Lantern and a Fan, c. 1745, Hand-colored woodblock print; wide hashira-e, urushi-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21447 Jean-Baptiste Blaise Simonet, Rose et Colas, 1742, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2852 François Marie Isidore Queverdo, Nouvelles du bien-aime, 1748, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3081 Gerard Rene Le Vilain, Le repentir tardif, 1740, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3049 François Boucher, Apollo and Clytie, 1747–67, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.16 Gérard Vidal, Le dejeuner anglais, 1742, aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2732 Nicolas François Regnault, Le bain (The Bath), 1746, color stipple etching and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2820 Jacques-François-Joseph Saly, Bust of a Little Girl, model 1744, cast probably 1750/1753, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1267 United States (Pennsylvania), Tilt-top table, c. 1740–75, Walnut, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.17.2 Pierre Maleuvre, Flore a son lever, 1740, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2815 Anton Raphael Mengs, Seated Nude Male, n.d., Black chalk, heightening with white, brown wash (?), on gray-brown paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334926 Jean Siméon Chardin, The Little Schoolmistress, after 1740, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/98 Jeanne Deny, Le consomme, 1749, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3052 Pierre Maleuvre, La nuit passe, l'Aurore parait, 1740, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2758 Charles-Nicolas Cochin I, L'Ecureuse, 1740, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2784 Ishikawa Toyonobu, The Actors Nakamura Kiyosaburo I as Matsuyama and Ichimura Kamezo I as Wanya Kyubei in the play "Yoritomo Gunbai Kagami," performed at the Ichimura Theater in the eleventh month, 1749, 1749, Color woodblock print; ōban, benizuri-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/88904 Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900474-1 Etienne Claude Voysard, L'innocence inspire la tendresse, 1746, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2960 Pietro Longhi, The Game of the Cooking Pot, c. 1744, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/205 Christian Wilhelm Ernst Dietrich, Christ Healing the Sick, 1742, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436199 Charles Emmanuel Patas, La nuit, 1744, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2915 Jacob Hurd, Punch strainer, c. 1740–50, Silver, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/44.52 Pierre Adrien Le Beau, Roxelane, 1748, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2906 François Voyez, Le fruit de l'amour secret, 1746, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2831 Nicolas François Regnault, Le Baiser à la Derobée (The Stolen Kiss), 1746, stipple etching [proof before engraved title], National Gallery of Art, Washington. https://dartabase.art/cite/nga/2754 François Boucher, The Chinese Fair, designed 1742 (woven 1743–1745), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.14 Christian Wilhelm Ernst Dietrich, Saint Francis Reading, 1747, Red chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334802 Okumura Masanobu, Shoki the Demon Queller Marching to the Left, c. 1745, Woodblock print; hashira-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/44353 Jean Gabriel Caquet, La soiree du Palais Royal, 1749, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3113 Carl Guttenberg, L'invocation a l'amour, 1743, stipple etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2799 Bernard Lépicié, Jeune fille au volant (Jeune fille a la raguette), 1742, engraving [progress proof], National Gallery of Art, Washington. https://dartabase.art/cite/nga/2787 Gérard Vidal, Les prunes, 1742, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2882 François Marie Isidore Queverdo, L'indiscret, 1748, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3079 Jacques-Philippe Le Bas, Le neglige, ou la toilette du matin, 1741, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2789 Jean-Marc Nattier, Bildnis der Anna Elisabeth Leerse (1698-1776), 1749, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1198 Jean-Marc Nattier, Portrait of a Woman, c. 1748, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125951 Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900503-0 Nicolas Joseph Voyez, La premiere lecon d'amour, 1742, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2981 Charles Emmanuel Patas, Le jour, 1744, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2914 Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900495-0 Johann Georg Platzer, The Artist's Studio, 1740s–50s, oil on copper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/170235 Continental Painter, Portrait of a Woman, 1745, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435932 Nicolas de Larmessin IV, La soiree, 1741, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2746 Jean Siméon Chardin, Stillleben mit Rebhuhn und Birne, 1748, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2113 Follower of Allan Ramsay, Portrait of a Lady, c. 1744, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.108 Continental Painter, Portrait of a Woman, 1740, Ivory, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435931 Giuseppe Ghislandi, called Fra Galgario, Portrait of Giuseppe Alberto de Ambiveri, Vicar of the Mines of Bergamo, c. 1740, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/29.32 Gérard Vidal, Le roi d'Ethiopie, 1742, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3070 Pierre Louis de Surugue, Mme. de M ... en habit de bal, 1746, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2880 Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900460-1 John Wollaston, A Gentleman of the Morris Family, 1749/1752, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1135 Ishikawa Toyonobu, Courtesan Reading a Letter, c. 1745, Hand-colored woodblock print; toku-oban, urushi-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/8191 Jean-Marc Nattier, Bildnis des Frankfurter Bankiers Johann Georg Leerse (1691-1762), 1749, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1197 Okumura Masanobu, Shoki, the Demon Queller, c. 1745, Hand-colored woodblock print; habahiro hashira-e, urushi-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/44343 Louis de Surugue de Surgis, Les plaisir de l'ete, 1744, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3077 Canaletto, La libreria. V., in or before 1742, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/764 Canaletto, The House with the Inscription [left], 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/760 Adrian Bancker, Punch Bowl, c. 1750, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/781 Gérard Vidal, Venus et Adonis, 1742, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3069 Giovanni Battista Piranesi, Title Plate, published 1749/1750, etching, engraving, sulphur tint or open bite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/782 Gerard Rene Le Vilain, Le repentir tardif, 1740, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3047 Charles Nicolas Varin, Le concert agreable, 1741, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2731 Samuel Burt, Cream jug, c. 1742, Silver, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.2 Jean Desforges, Corner-Cupboard (encoignure), probably 1745/1749, veneered on oak, stained black, with ebonized wood; japanned on each door with _vernis Martin_; gilded bronze mounts; black and gold Portor marble top, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1577 Jean Desforges, Chest of Drawers (commode), 1745/1749, veneered on oak, mostly stained black, with panels of Japanese black-and-gold (_togidashi_) lacquer; gilded bronze mounts; marble top, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1568 Carl Guttenberg, L'invocation a l'amour, 1743, stipple etching with retouching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3105 Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900473-1 Gerard Rene Le Vilain, Le repentir tardif, 1740, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3048 Gérard Vidal, La lecon interrompue, 1742, aquatint and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2733 Germain Boffrand, Bound print, 1745, Bound print, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399900457-1 Jean Massard, La vertu chancelante, 1740, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3150 Jean-Baptiste Blaise Simonet, Rose et Colas, 1742, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2771 Robert Delaunay, Mort de Julie, 1749, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3127 Francois-Robert Ingouf, La promenade du soir, 1747, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7289 Pierre Adrien Le Beau, Le danger des bosquets, 1748, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3101 Canaletto, The House with the Peristyle, 1741, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/761 Bernard Lépicié, La ratisseuse, 1742, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2790 Charles Cressent, Writing Table (bureau plat), c. 1740/1745, veneered on oak and pine with kingwood, tulipwood, purplewood, boxwood, and ebony; gilded bronze mounts, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1583 England, Goblet, c. 1745–65, Lead glass, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/21.494 Nicolas François Regnault, Le Lever, 1746, color stipple etching and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2821 Giovanni Paolo Panini, Interior of the Pantheon, Rome, 1747, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/147938 Nicolas de Larmessin IV, L'apres-diner, 1741, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2745 Pompeo Girolamo Batoni, Allegorie der Künste, 1740, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/730 Jean-Baptiste Oudry, A Hare and a Leg of Lamb, 1742, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/144743 Charles Louis Lingée, L'occupation, 1748, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7291 Nicolas de Larmessin IV, Le matin, 1741, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2743 Antoine-Jean Duclos, La provocation, 1742, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3117 François Boucher, Academic Study of a Reclining Male Nude, c. 1750, Black chalk, with stumping and touches of red chalk, heightened with white chalk, on cream laid paper, laid down on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/196175 Gérard Vidal, Les cerises, 1742, etching on laid paper (proof), National Gallery of Art, Washington. https://dartabase.art/cite/nga/2881 Pierre Louis de Surugue, Mme. de M ... en habit de bal, 1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2879 Pierre Adrien Le Beau, Le desirs naissants, 1748, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3102 French School 18th century, Study of a Pumpkin Plant against a Rocky Background, c.1740, Chalk, pastel and watercolour on paper, Tate, London. https://dartabase.art/cite/tate/D04152 François Marie Isidore Queverdo, Nouvelles du bien-aimè, 1748, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3080 Richard Earlom, Rembrandt's Wife, 1743, mezzotint, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6831 Continental (possibly Swiss) Painter, Portrait of a Man, 1745, Enamel, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435939 Jean-Baptiste-Pierre Le Brun, Monks in a Cathedral, 1748, pen and brown ink with brown wash and white heightening over graphite, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8461 Marco Alvise Pitteri, Portrait of the Painter Giovanni Battista Piazzetta, c. 1750, Engraving in black on paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/40137 John Wollaston, Mary Walton Morris, 1749/1752, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1134 Jean Desforges, Corner-Cupboard (encoignure), probably 1745/1749, veneered on oak, stained black, with ebonized wood, sycamore and kingwood veneers; japanned on each door with _vernis Martin_; gilded bronze mounts; black and gold Portor marble top, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1578 Pierre-Charles Ingouf, Les moeurs du temps, 1746, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2739