Canaletto, The Equestrian Monument, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/769 Giovanni Paolo Panini, Interior of the Pantheon, Rome, c. 1734, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/165 Augustin de Saint-Aubin, Le lever de la mariée russe (Custom of the Russians after the Marriage Ceremony and before the Wedding Feast), 1736, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3065 China, Bottle, 1736–1795, Porcelain with pale celadon glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.41 Emmanuel Jean Nepomucène de Ghendt, Le matin, 1738, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2843 Charles-Nicolas Cochin I, Le Jeune Soldat, 1737, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2788 Chinese Qing Dynasty, Bowl with "Rice Grain" Decoration, probably Qianlong period, 1736/1795, porcelain with colorless glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1729 United States, Folding stand, 1730–60, Walnut, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/24.75 Joseph de Longueil, L'hiver, 1730, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2925 Pierre Filloeul, Le Chateau de carte (The House of Cards), 1737, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2781 J.J. - Modeller, MEISSEN Kaendler, Sculpture: The tailor on the he-goat, 1737, cast c.1850, Porcelain, hard-paste moulded and assembled with polychrome colours over a clear glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2923 Hyacinthe Rigaud, Porträt des Malers Sébastien Bourdon, c. 1730–1733, Schwarze und weiße Kreide auf blauem Papier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/8026 China, Bottle, 1736–1795, Porcelain with pea green glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.43 Jean-Baptiste Oudry, A Wild Swan Attacked by a Dog, c. 1740, Brush and gray wash and black gouache, heightened with lead white (discolored), on blue laid paper (faded), laid down on cream board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/25737 François Boucher, Soldat Chinois, 1738–1745, Etching on laid paper, Cooper Hewitt, Smithsonian Design Museum, New York, N.Y. https://dartabase.art/cite/smithsonian/ld1-1643399887910-1643399896997-0 Jean Siméon Chardin, Soap Bubbles, probably 1733/1734, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/994 Chinese, Teapot, 1736–1795 (Qing dynasty (1644–1911)), porcelain with overglaze enamels, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/49.1938 Nicolas de Larmessin IV, La jeunesse, 1735, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2761 Okumura Masanobu, Large Perspective Picture of the Kaomise Performance on the Kabuki Stage (Shibai kyogen butai kaomise o uki-e), c. 1740, Hand-colored woodblock print; horizontal o-oban, beni-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21561 Joseph de Longueil, Le midi, 1730, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2919 Joseph de Longueil, La jolie fermiere, 1730, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2917 Canaletto, Le Preson. V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/767 China, Bottle, 1736–1795, Porcelain with aubergine glaze, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.134 attrib. to Edward Jennings, Four salt cellars, c.1735–36, Silver, flattened spherical bodies with cast feet, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5753 Nicolas de Larmessin IV, Mlle. Salle, 1732, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2742 China, The Five Hundred Lohans, 1736–1795, K'ossu (silk brocade) with traces of pigment, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.8.343 Rosalba Carriera, Sir John Reade, Baronet, 1739, pastel on blue laid paper mounted to canvas (on strainer), National Gallery of Art, Washington. https://dartabase.art/cite/nga/207 Canaletto, Le Procuratie niove e S. Ziminian V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/771 Canaletto, The Market on the Molo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/766 Canaletto, Landscape with a Woman at a Well, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/775 Canaletto, Imaginary View of Padua, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/759 Charles Emmanuel Patas, Le villageois entreprenant, 1733, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3075 Louis-Marin Bonnet, Les Présents du jour de l'an, 1736, color stipple, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2989 Joseph de Longueil, Le retour a la vertu, 1730, color aquatint and stipple with etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3066 Joseph de Longueil, L'automne, 1730, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2924 Louis-Marin Bonnet, Le Bain, 1736, color stipple, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3018 Joseph Highmore, Portrait of a Lady, c. 1730/1735, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1099 Canaletto, Imaginary View of S. Giacomo di Rialto, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/776 Louis-Marin Bonnet, Marie-Antoinette, Dauphine, 1736, chalk manner, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3020 Canaletto, Title Plate, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/749 Charles-Nicolas Cochin I, La Fontaine, 1739, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2779 Joseph de Longueil, Rural Concert, 1730, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2928 Chest of drawers, c. 1735, Mahogany, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/31.99 Louis-Marin Bonnet, Le Goûter, 1736, color stipple, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2832 Royal Savonnerie Manufactory, Chaillot Workshops, Louis XV Savonnerie Carpet with Royal Arms, c. 1740–50, Savonnerie knotted pile (symmetrical ruf knot), wool, hemp, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128056 Charles Emmanuel Patas, On y court plus d'un danger, 1733, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3074 Emmanuel Jean Nepomucène de Ghendt, Le soir, 1738, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2845 Etienne Fessard, Dame cachetant une lettre (Woman Sealing a Letter), 1738, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2782 Hungary, Bowl, c. 1730, Porcelain with enamel decoration, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/23.8.26 Louis-Marin Bonnet, Le Goûter, 1736, color stipple, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2833 Simon Charles Miger, Laurent Cars, 1736, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2620 Pietro Antonio Martini, La découverte du nouveau monde, 1738, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3141 Emmanuel Jean Nepomucène de Ghendt, Le midi, 1738, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2844 Canaletto, The Bishop's Tomb, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/778 Etienne Fessard, La cage symbolique (The Symbolic Cage), 1738, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3062 Thomas Baxter, Side chair, 1739, Walnut, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/29.23 Canaletto, Landscape with the Pilgrim at Prayer, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/773 Joseph de Longueil, Country Pleasures, 1730, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2926 Pierre Edmé Babel, Study for a Book Vignette, 18th century, Pen and gray ink, brush and gray wash, with framing lines, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334851 Christian Wilhelm Ernst Dietrich, Surprised, or Infidelity Found Out, 1732, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436201 Bartholomew Dandridge, Uvedale Tomkyns Price (1685–1764) and Members of His Family, possibly early 1730s, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436079 Joseph de Longueil, L'ete, 1730, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2923 Chinese, ""Garlic-Head"" Vase, 1736–1795 (Qing dynasty (1644–1911)), porcelain with copper red glaze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/49.509 Okumura Masanobu, Enjoying the Evening Cool near Ryogoku Bridge (Ryogoku bashi yusuzumi uki-e), c. 1740, Hand-colored woodblock print; beni-e, horizontal ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13690 Canaletto, Landscape with Ruined Monuments, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/777 Canaletto, Landscape with Tower and Two Ruined Pillars, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/774 Louis-Marin Bonnet, L'Amant écouté, 1736, color stipple, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2986 Ichinomiya Nagatsune, Tsuba with a Hunter on Horseback with a Falcon, 1732–1786 (mid Edo), iron, silver, gold, copper, shibuichi, copper alloy, shakudo, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.318 François-Philippe Charpentier, La Culbute (The Tumble), 1766, etching and aquatint printed in brown on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2943 Joseph de Longueil, L'apres-midi, 1730, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2920 Anton von Maron, Judith with the Head of Holofernes, 18th century–early 19th century, Pen and brown ink and brush and brown wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334921 Pierre-Laurent Auvray, The Fireworks, 1736, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2948 Adrian Bancker, Beaker, 1730–70, Silver, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/378 Joseph de Longueil, Le belle nourrice, 1730, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2916 Canaletto, Pra della Valle, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/755 UNKNOWN, Vase (Tsun shape), 1736–95 (Ch'ien Lung Period), Small Tsun shaped porcelain vase with robins egg blue glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/129 Kurowa Katsutoshi, Tsuba with the Oil Monk (Abura-bozu), c. 1750 (mid Edo), copper, gold, silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.170 Sebastiano Ricci, The Exaltation of the True Cross, 1733, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/213 France, Panel, c. 1730, Silk, metallic threads, complex weave with discontinuous weft patterning, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.24.4 attrib. to Benjamin West, Tankard, c.1737–38, Silver, bell shaped mug with scroll handle, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15122 China, Inkstick, Qianlong period, 1736–1795, Molded pine soot and animal glue, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/35.18.56 Nicolas Lancret, La Camargo Dancing, c. 1730, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/96 UNKNOWN, Figure: (the immortal Liu Hai), 1736–95 (Ch'ien Lung Period), Soapstone carved with carved wooden stand, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6804 Wang Rusheng, Greeting the New Year, 1734, Ink and color on paper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.157.4 Chinese, Vase with Dragon, 1736–1795 (Qing dynasty (1644–1911)), Porcelain with celadon glaze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/49.239 Antoine Francois Dennel, S'il m'etoit aussi fidele, 1735, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2951 Juste-Aurèle Meissonnier, Covered Tureen on Stand (Pot-à-oille), 1735–38, silver, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149041 Bernard - Engraver, WATTEAU, after Antoine Baron, L'accord parfait (Perfect match), 1730, Engraving and etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1250 Canaletto, Al Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/752 Rosalba Carriera, Allegory of Painting, 1730s, pastel and red chalk on blue laid paper mounted on canvas (on strainer), National Gallery of Art, Washington. https://dartabase.art/cite/nga/277 Louis-Marin Bonnet, Le Déjeuné, 1736, color stipple etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2834 Canaletto, Mountain Landscape with Five Bridges, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/768 Sebastiano Ceccarini, Portrait of a Noblewoman, c. 1750 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.410 Charles Dupuis, Lecon d'amour, c. 1734, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2461 John Gaines III, Splat-back armchair, 1735–43, Soft maple, poplar, ash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/203 Canaletto, S. Giustina in pra della Vale, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/756 François Boucher, Die Wasserfälle von Tivoli, 1730, Schwarze und weiße Kreide auf blauem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/8049 China, Bottle, 1736–1795, Porcelain with imperial yellow glaze and crackle, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.133 Swiss, Watch with a design of children playing on a terrace, c. 1760, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/58.64 Hamano Noriyuki, Fuchi with a Chinese Boy, 1736–1787 (Edo), silver, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.950 UNKNOWN, Famille rose vase, 1736–95 (Qianlong period), Soft-paste porcelain, polychrome enamel glaze, decorated with figures on a terrace and exotic flowers, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16146 Torii Kiyomasu II, The Actor Segawa Kikunojo I as Kuzunoha, c. 1737, Hand-colored woodblock print; hosoban, urushi-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/44149 Jacques-Firmin Beauvarlet, L'Arrivée du Courrier, 1731, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2766 Louis-Marin Bonnet, Les Compliments du jour de l'an, 1736, color stipple, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2988 Solomon Fussell, Armchair, 1735–50, Painted maple; rush (modern), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/220 Pierre-Laurent Auvray, The Waterworks, 1736, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2947 Canaletto, The Wagon Passing Over a Bridge, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/780 China, Ruyi scepter, 1736–1795, Bronze with cloisonné enamel and coral inlay, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/38.44.1 Canaletto, Le Porte Del Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/754 Okumura Masanobu, A Man and a Courtesan Watching a Young Man Writing, first sheet of the album "Mountain of Dyed Color, Specimens of Bedrooms (Someiro no yama neya no hinagata)", c. 1739, Hand-colored woodblock print; oban, sumizuri-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/8208 Nicolas de Larmessin IV, L'enfance, 1735, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2767 Laurent Cars, Fetes venitiennes, c. 1732, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2457 Charles-Nicolas Cochin I, La Blanchisseuse, 1739, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2778 Jacques-Firmin Beauvarlet, Madame du Barry, 1731, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2903 Chinese, Bottle, 1736–1795 (Qing dynasty (1644–1911)), porcelain with celadon glaze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/49.1314 Canaletto, The Terrace, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/770 Jean Siméon Chardin, The House of Cards, probably 1737, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/97 Emmanuel Jean Nepomucène de Ghendt, La nuit, 1738, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3145 Canaletto, View of a Town on a River Bank, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/757 Canaletto, La Piera del Bando. V., c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/765 François Boucher, Fountain with Two Tritons Blowing Conch Shells, c. 1736, Black chalk with stumping, and red chalk, heightened with white chalk on beige laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130150 Chinese Qing Dynasty, Bowl, early Qianlong period, 1736/1750, porcelain with overglaze famille rose and famille noire enamels, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1797 Wistarburgh Glassworks, Bottle, 1738–c. 1777, Free-blown glass, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/632 Canaletto, Ale Porte del Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/753 Canaletto, Mestre, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/751 Canaletto, Ansicht des Bacino di San Marco in Venedig, 1730–1740, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/847 Joseph de Longueil, Le matin, 1730, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2918 Anton Kern, Rinaldo und Armida im Zauberwald, 1730–1738, Öl auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2078 Nicolas de Larmessin IV, La vieillesse, 1735, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2762 Joseph de Longueil, Le printemps, 1730, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2922 Sebastiano Ricci, A Miracle of Saint Francis of Paola, 1733, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/212 Canaletto, View of a Town with a Bishop's Tomb, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/763 Jacques-Firmin Beauvarlet, Le Départ du Courrier, 1731, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2765 Emmanuel Jean Nepomucène de Ghendt, La nuit, 1738, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2846 Chinese Qing Dynasty, Vase, probably Qianlong period, 1736/1795, steatitic porcelain with colorless glaze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1726 Jacques-Firmin Beauvarlet, L'Amour à l'épreuve, 1731, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2817 Louis-Marin Bonnet, La Toilette, 1736, color stipple, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3019 Wang Chin-shen, Imperial Ink Cake, 1736–1795, Colors, gold and animal adhesive, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/2000.154 Joseph de Longueil, Country Dance, 1730, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2927 Canaletto, La Torre di Malghera, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/750 Paul Troger, Tod Josephs, c. 1739–1742, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1774 Louis-Marin Bonnet, L'Eventail cassé, 1736, color stipple, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2987 Hamano Noriyuki, Fuchi with a Chinese Man on a Horse and a Peasant, 1736–1787 (Edo), shakudo (?), shibuichi (?), gold, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.974 China, Bottle, 1736–1795, Porcelain with cucumber glaze and crackle, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/50.46.206 Freer, Dragon plaque, 1736–1795, Jade; H x W x D: 16.3 x 16.3 x 0.9 cm (6 7/16 x 6 7/16 x 3/8 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390189886-0 Canaletto, The Little Monument, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/779 English, Toilet Case with Scenes from the ""Metamorphoses"", c. 1750, case: gold, diamond; utensils: gold, silver, steel, ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.953 Pierre Drevet, André Hercules, Cardinal de Fleury, 1730, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6565 Italian, The Vision of Saint John the Evangelist on Patmos, 1738–1800 (?) (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1745 MEISSEN, Deep dish, decorated in Kakiemon style with crane and dragon, c.1736, Hard-paste porcelain with polychrome overglaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20742 Canaletto, The Portico with the Lantern, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/758 Jacques-Firmin Beauvarlet, L'amour frivole, 1731, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2818 Silversmith: John Burt, Teapot, c. 1730–40, Silver, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/47.60 Canaletto, The Market at Dolo, c. 1735/1746, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/772 Joseph de Longueil, Le soir, 1730, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2921 Giovanni Battista Piazzetta, A Young Woman Buying a Pink from a Young Man, c. 1740, black crayon (wetted and rubbed) heightened with white chalk on faded blue paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117766 Jacques André Joseph Aved, Portrait of Jean-Gabriel du Theil at the Signing of the Treaty of Vienna, 1738–40, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141476