J.J. - Modeller, MEISSEN Kaendler, Sculpture:  The tailor on the he-goat, 1737, cast c.1850, Porcelain, hard-paste moulded and assembled with polychrome colours over a clear glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2923

Chinese, Teapot, 1736–1795 (Qing dynasty (1644–1911)), porcelain with overglaze enamels, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/49.1938

attrib. to Edward Jennings, Four salt cellars, c.1735–36, Silver, flattened spherical bodies with cast feet, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5753

Chinese, ""Garlic-Head"" Vase, 1736–1795 (Qing dynasty (1644–1911)), porcelain with copper red glaze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/49.509

Ichinomiya Nagatsune, Tsuba with a Hunter on Horseback with a Falcon, 1732–1786 (mid Edo), iron, silver, gold, copper, shibuichi, copper alloy, shakudo, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.318

UNKNOWN, Vase (Tsun shape), 1736–95 (Ch'ien Lung Period), Small Tsun shaped porcelain vase with robins egg blue glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/129

Kurowa Katsutoshi, Tsuba with the Oil Monk (Abura-bozu), c. 1750 (mid Edo), copper, gold, silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.170

attrib. to Benjamin West, Tankard, c.1737–38, Silver, bell shaped mug with scroll handle, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15122

UNKNOWN, Figure:  (the immortal Liu Hai), 1736–95 (Ch'ien Lung Period), Soapstone carved with carved wooden stand, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6804

Chinese, Vase with Dragon, 1736–1795 (Qing dynasty (1644–1911)), Porcelain with celadon glaze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/49.239

Bernard - Engraver, WATTEAU, after Antoine Baron, L'accord parfait (Perfect match), 1730, Engraving and etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1250

Swiss, Watch with a design of children playing on a terrace, c. 1760, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/58.64

Hamano Noriyuki, Fuchi with a Chinese Boy, 1736–1787 (Edo), silver, gold, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.950

UNKNOWN, Famille rose vase, 1736–95 (Qianlong period), Soft-paste porcelain, polychrome enamel glaze, decorated with figures on a terrace and exotic flowers, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16146

Chinese, Bottle, 1736–1795 (Qing dynasty (1644–1911)), porcelain with celadon glaze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/49.1314

Hamano Noriyuki, Fuchi with a Chinese Man on a Horse and a Peasant, 1736–1787 (Edo), shakudo (?), shibuichi (?), gold, copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.974

English, Toilet Case with Scenes from the ""Metamorphoses"", c. 1750, case: gold, diamond; utensils: gold, silver, steel, ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.953

Italian, The Vision of Saint John the Evangelist on Patmos, 1738–1800 (?) (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1745

MEISSEN, Deep dish, decorated in Kakiemon style with crane and dragon, c.1736, Hard-paste porcelain with polychrome overglaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/20742