Jean-Louis Lemoyne, A Companion of Diana, 1710–1724, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1272

Jean Antoine Watteau, Head of a Man, c. 1718, Red and black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334650

Jean Antoine Watteau, Two Studies of a Dancer, Raising Her Skirt in Her Two Hands, 1712/13, Red chalk on cream laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/158393

Jacques François Blondel, Preparatory Study for Plate 34 in "Maisons de plaisance" Vol. II, 18th century, Red chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334900

René Gaillard, La voluptueuse, 1719, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2984

Pierre Drevet, Louis-Alexandre de Bourdon, comte de Toulouse, 1714, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6562

François Lucas, L'example des Meres, 1715, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2816

René Gaillard, Le bouquet, 1719, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2796

René Gaillard, Le moineau de lesbie, 1719, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2737

Jean Antoine Watteau, Study for "The Romancer" (Le Conteur), c. 1716, red chalk; red and black chalk (upper left figure), Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/110060

Jean Antoine Watteau, Stehende männliche Figur (Bildnis des Nicolas Vleughels), c. 1718–1719, Rötel und Bleigriffel, Einfassungslinie mit der Feder in Braun (Tinte), auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/8040

F. Coutellier, Mademoiselle Olivier, 1719, color stipple engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2877

François Boucher, Drawing for "La Colonne Trajane", 18th century, Red chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334847

François Boucher, Drawing for "La Colonne Trajane", 18th century, Red chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334848

F. Coutellier, Mademoiselle Maillard, 1719, color stipple engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2878

René Gaillard, Venus et les amours, 1719, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2738

Jacques François Blondel, Preparatory Study for Plate 41 in "Maisons de plaisance," Vol. II, 18th century, Red chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334907

Pierre Louis de Surugue, The Blind Beggar, 1710, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5952

René Gaillard, L'accord du mariage, 1719, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2909

Jacques François Blondel, Preparatory Studies for Plates 90 and 91 of "Maisons de plaisance," Volume II, 18th century, Red chalk over traces of black chalk. Horizontal black-chalk line at center, and round compass marks in black chalk on lower drawing, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334846

F. Coutellier, Mademoiselle Contat, 1719, color stipple engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/2876

Etienne-Maurice Falconet, The Punishment of Cupid, 1716, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1255