Kaigetsudo Anchi, Standing Beauty, About 1714, Woodblock print; sumizuri-e, kakemono-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/21710 Torii Kiyomasu I, The Actor Uemura Kaemon (?), c. 1706, Hand-colored woodblock print; ōban, tan-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/54767 Torii Kiyonobu I, The Fanciful Eight Views in Military Love Affairs (Furyu budo iro-bakkei), 1705, Woodblock printed book, sumizuri-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/188949 Torii Kiyonobu I, The Actors Fujita Hananojo and Ichikawa Danjuro II, c. 1714, Hand-colored woodblock print; hosoban, tan-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/19101 Royal Savonnerie Manufactory, Chaillot Workshops, Panel: Spring, c. 1715, Savonnerie knotted-pile (144 symmetrical rug knots per square inch); wool, hemp, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/129250 Charles Le Brun, Autumn, from The Seasons, 1700/20, Wool and silk, slit and double interlocking tapestry weave, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/96698 Torii Kiyonobu I, A Battle in Mid-Stream, c. 1705–10, Hand-colored woodblock print; ōban, tan-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/13671 Torii Kiyomasu I, Actor as a Standing Beauty, About 1715, Woodblock print; sumizuri-e, kakemono-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/19151 Okumura Masanobu, Wada’s Banquet (Wada sakamori), from the series "Famous Scenes from Japanese Puppet Plays (Yamato irotake)", c. 1705/06, Woodblock print; oban, sumizuri-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/19597 Okumura Masanobu, The Demon Shutendoji, from the album Yamato Irotake, 1705–8, Woodblock print; sumizuri-e, ōban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/19609 Torii Kiyomasu I, Scene from the Drama "Lyric Dance of Shizuka Gozen (Taihei Shizuka Horaku no mai)", c. 1711, Hand-colored woodblock print; horizontal o-oban, tan-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/5912 Kitagawa Utamaro, Kisegawa of the Matsubaya, from the series "Comparing the Charms of Five Beauties (Gonin bijin aikyo kurabe)", c. 1795/96, Color woodblock print; oban, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/77436 Workshop of Gaspard (Jasper) van der Borcht, Village Fete (Saint George's Fair) from a Teniers series, c. 1710, Wool and silk, slit and double interlocking tapestry weave Warp: Count: 8 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.7–1.0 mm Weft: Count: varies from 24 to 40 wefts per cm; wool: S-ply of two Z-spun elements; three yarns of S-ply of two Z-spun elements; diameters: 0.5–1.0 mm; silk: Z-ply of two yarns of S-ply of two Z-twisted elements; three yarns of S-ply of two Z-twisted elements; diameters: 0.6–0.9 mm; wool and silk: paired yarns of S-ply of two Z-spun wool elements and S-ply of two Z-twisted silk elements; diameters: 0.5–0.7 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/78972 Furuyama Moromasa, The Treasure Ship, c. 1712, Hand-colored woodblock print; horizontal o-oban, sumizuri-e, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/19183