Salvator Rosa, The Dream of Aeneas, c.1663–64, Etching and drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12498

Nara Toshinaga I, Fuchi with Demon, 1667–1736 (Edo), shibuichi with copper, silver, gold, and shakudo, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1054

Chinese, Fu-Lion with Cub, 1662–1900, porcelain with transmutation glaze decoration, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/49.1901

UNKNOWN, Badge of rank with two cranes, symbol for first rank civilian official, 1662–1722 (Kangxi reign), Silk, embroidery on cloth covered mountboard, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16186

UNKNOWN, Jar, 1662–1722 (K'ang Hsi Period), Large thrown grey clay body with celadon glaze with lion motif in overglaze maroon.  Carved wood lid and stand, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11917

ENGLISH SCHOOL, Casket, c.1660–80, Embroidery, top embroidered with "Christ and the woman at the well" in an oval. The sides embroidered with figures in landscapes and foliate motifs., Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15134

Chinese, Vase, 1662–1722, porcelain with underglaze blue and European gilded enamel, silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/49.2592

UNKNOWN, Ginger jar with flowers, vases and censers, 1662–1722 (Kangxi period), Porcelain, underglaze blue, with cracked ice and blossom decoration, and jade and carved wooden lid, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16174

Claude Lorrain, The dance under the trees, c.1660, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7994

Lan Ying, Pine Tree, White Hawk, and Rock, 1664 (Qing), ink and color on silk mounted on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.6

UNKNOWN, Badge of rank with four-clawed dragon, symbol for fifth, sixth and seventh ranks and Imperial guards, 1662–1722 (Kangxi reign), Silk, satin embroidery, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16187

German, Grip of a Hunting Sword, c. 1680 (Baroque), ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.325

Indian, Wild Boar Hunt, c. 1675, opaque watercolor on paper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/W.936

Salvator Rosa, The Crucifixion of Polycrates, c.1662, Etching and drypoint on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12517

David Le Marchand, Portrait of Louis, Grand Dauphin of France, c. 1680–1685 (Baroque), ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.480

UNKNOWN, Bowl with lotus flowers and peony, 1662–1722 (Kangxi period), Porcelain, underglaze blue, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/16139