Jacob Jordaens, Susannah Crouching, c. 1640/1645, black and red chalk with watercolor, heightened with white, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8069

Salvator Rosa, Scenes of Witchcraft: Morning, c. 1645–1649, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149105

Lucas Faydherbe, Cupid (?), c. 1640/1650, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1253

Salvator Rosa, Scenes of Witchcraft: Evening, c. 1645–49, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149107

David Teniers, the Younger, The Prodigal Son, c. 1640, Oil on copper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/45.8

Salvator Rosa, Scenes of Witchcraft: Night, c. 1645–1649, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149108

Alessandro Algardi, Baptism of Christ, designed 1645–46, probably made 1650–55, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141932

Alessandro Algardi, Portrait of Pope Innocent X Pamphili, designed 1647–48; cast 1650–1700, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/134949

Salvator Rosa, Scenes of Witchcraft: Day, c. 1645–1649, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/149106

Francesco Monti ("Il Brescianino delle Battaglie"), Cavalry Engagement, 1646–1712, Pen and brown ink, blue-gray wash, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334868

Jacob Jordaens, The Conversion of Saul with Christ and the Cross, c. 1645–47, brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131791

Gerard Edelinck, Charles-Maurice Le Tellier, 1640, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6838