Nicolas Poussin, The Holy Family on the Steps, 1648, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/150389

Rembrandt van Rijn, Tobias Healing His Father's Blindness, c. 1640–45, Pen and brown ink, touched with white gouache; framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/144844

Lorenzo Lippi, Medici Armorial, 1643/44, Wool, silk, and gilt-metal-strip-wrapped silk, slit and double interlocking tapestry weave with wrapping outlining wefts and areas of 4:4 plain interlacing of gilt-metal-strip-wrapped silk wefts, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/50905

Jacob Isaacksz. van Ruisdael, Landscape with a Windmill, 1646, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/143234

Alessandro Algardi, Portrait of Pope Innocent X Pamphili, designed 1647–48; cast 1650–1700, bronze, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/134949

Georges de La Tour, Saint Peter Repentant, 1645, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128842

Aelbert Cuyp, Travelers in Hilly Countryside, c. 1650, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122340

Jacob Jordaens, The Conversion of Saul with Christ and the Cross, c. 1645–47, brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131791