Chinese, Tankard with Dutch Silver Lid, 1630–1650, porcelain with underglaze blue, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/49.2259

Claude Lorrain, Le naufrage (The shipwreck), c.1638–41, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/2053

after REMBRANDT, Christ at Emmaus; the larger plate, 1634, probably printed 1906, Etching on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1018

Abraham Bosse, Charity (one of three images of 'Les Vertus': Faith, Hope and Charity), 1636, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/22673

Jacques Laudin I, Plaque with Apollo and Daphne, c. 1650 (Baroque), painted enamel with traces of gilding on copper; gilded brass frame, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.280

after Peter Paul - Artist, BOLSWERT, Scheltius A. Rubens, (Coastal landscape with ensuring storm), c.1638, Copper plate engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/9965

after Anthony van - Painter, JODE II, Pieter de Dyck, Cornelius Poelenbourch, 1630–40, Engraving on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12766

Pietro Testa, The Dream of Joseph, c.1635–37, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3207

Claude Lorrain, Le Bouvier (The cowherd), 1636, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10880

attrib. to Bonaventura Peeters, The haven of refuge, c.1635, Oil on oak panel, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13472

attrib. to REMBRANDT, Abraham casting out Hagar and Ishmael, 1637, printed later, Etching on off-white laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3625

Russian, Drinking Cup (Bratina), c. 1650–1670 (Early Modern), partially gilded silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.814

Adriaen Van Ostade, ETUDE POUR UNE KERMESSE, 2e quart 17e siècle;2e moitié 17e siècle, crayon noir; plume; encre; papier (blanc), Musée Grobet-Labadié, Marseille. https://dartabase.art/cite/joconde/000DE021370

IL Pesarese, La Vierge, l'enfant Jésus et saint Jean-Baptiste, 2e quart 17e siècle;3e quart 17e siècle, pierre noire; craie blanche (?); papier (gris), Musée national Magnin, Dijon. https://dartabase.art/cite/joconde/00000068497

after Anthony van - Painter, HONDIUS, Willem Dyck, Frans Francken the Younger, 1630–40, Etching and engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12767

Della Bella Stefano, Soldats devant un moulin à vent (titre ancien), 2e quart 17e siècle, eau-forte; papier vergé, Musée des civilisations de l'Europe et de la Méditerranée, Marseille. https://dartabase.art/cite/joconde/5002E001300

French, Enameled Watch with Flowers, 1630–1650 (Baroque), gold, glass, and painted and ""basse-taille"" enamel case; gold, painted and ""basse-taille"" enamel dial; giled brass and steel movement, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/58.140