Ottavio Leoni, Giovanni Marino, 1623/1624, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/938

Nicolaes Berchem, Gedehoved vendt mod højre, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1418

Jacques Callot, The Birth of the Virgin, c. 1633/1634, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5313

Paul Bril, Landscape with Men Playing 'Mail à la Chicane', 1624, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/40.3

Allaert van Everdingen, En hyrde og et lam, 1621–1675, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS2215

Jacques Callot, The Stopping Place, 1621, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5339

Nicolaes Berchem, To væddere, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19751

Italian 17th Century, Smaralo Cornuto and Ratsa di Boio, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5352

Guercino (Giovanni Francesco Barbieri), Madonna mit Kind, 1621–1622, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102204

Ossenbeeck, Jan van, En jæger med sine hunde, 1624–1674, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19805

Frans Hals, Bildnis eines jungen Kavaliers, 1624, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/292

Sir Anthony van Dyck, Virgin and Child with Saint Catherine of Alexandria, c. 1630, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436262

Nicolaes Berchem, Hyrdinde på et æsel, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS3515

Ottavio Leoni, Marcello Provenzale, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/941

Lucas - Engraver, RUBENS, after Peter Paul Vorsterman, Charles de Longueval, c.1621, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/654

Nicolaes Berchem, To geder og et kid, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19789

Andreas Bretschneider III, Exempel und Lehr Jetziger Welt Lauf, published 1622, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5274

Nicolaes Berchem, En hyrde med sin hund. Titelblad til "Geder", 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19760

Nicolaes Berchem, To liggende og et stående får, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19770

Sir Anthony van Dyck, A Man Mounting a Horse, c. 1630, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436263

Italian 17th Century, Franca Trippa and Fritellino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5345

Jan van Goyen, Weg in den Dünen, 1629, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1261

Nicolaes Berchem, Et stående og et liggende får, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19750

Jacques Callot, The Feast of the Bohemians, 1621, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5342

Robert Nanteuil, Ferdinand de Neufville, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9369

Italian 17th Century, Scapino and Cap. Zerbino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5354

Robert Nanteuil, Arms of Charles II, Duc de Mantoue, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9226

Italian 17th Century, Cap. Cardoni and Maramao, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5348

Jacques Callot, Anger, probably after 1621, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5363

Jacques Callot, The Nativity, c. 1633/1634, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5318

UNKNOWN, Tile:  (Triton), c.1625–50, Earthenware, slab rolled and tin glazed with cobalt decoration, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14406

Ottavio Leoni, Simon Vouet, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/945

Jacques Callot, The Burial of the Virgin, c. 1633/1634, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5323

Italian 17th Century, Signa. Lucia and Trastullo, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5347

Peter Paul Rubens, Young woman in a fur wrap (after Titian), c.1629–30, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13498

Johann Liss, Cupid (Amor), c. 1630, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/145452

Nicolaes Berchem, Artemisia modtager sin mands gravurne, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19794

Robert Nanteuil, Pendant, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9225

Italian 17th Century, Pasquariello Truonno and Meo Squaquara, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5343

Jacques Callot, Greed, probably after 1621, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5366

Anthony van Dyck, Portrait of Marchese Filippo Spinola, c.1622–27, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13497

Nicolaes Berchem, Liggende får med to lam, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19771

Gerard Mountain, Francis White, Bishop of Ely, 1625–30, Engraving on paper; Image: 18.5 × 11.2 cm (7 5/16 × 4 3/8"); Sheet: 27.9 × 16.8 cm (11 × 6 5/8"); Book closed: 28.8 × 18.2 cm (11 5/16 × 7 3/16"); Book open: 37.5 × 18.2 cm (14 3/4 × 7 3/16"), National Portrait Gallery, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1678354268718-1678354360579-0

Nicolaes Berchem, Tre får, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19776

Sir Anthony van Dyck, A Genoese Lady with Her Child, c. 1623–25, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/131819

Nicolaes Berchem, To stående får og et lam, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19774

Ossenbeeck, Jan van, Kvægmarkedet ved Campo Vaccino (Forum Romanum) i Rom med ruinerne af Jupitertemplet, 1624–1674, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS2323

Sir Anthony van Dyck, Marchesa Balbi, c. 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/56

Wenceslaus Hollar, Summer: The Bathing Place, c. 1628/1629, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7991

Ossenbeeck, Jan van, La Caffarella. Festival ved ruinerne af Egerias grotte i Rom, 1624–1674, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19808

Umetada Narikazu, Kogai with Waves, 1629–1700 (Edo), silver, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1152.4

Jerôme David, Atabalipa, Rex Peruviæ, c. 1634–37, Engraving, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334629

Ossenbeeck, Jan van, Tritonfontænen ved San Paolo-porten i Rom, 1624–1674, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS4174

Nicolaes Berchem, En liggende ged og en stående ged set bagfra, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19763

Ossenbeeck, Jan van, To køer, en malkepige og en ung mand, 1624–1674, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS4173b

Justus van Egmont, The Marriage of Zenobia and Odenatus, n.d., Black chalk with brush and brown wash on ivory laid paper, laid down on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/110099

Lucas - Engraver, RUBENS, after Peter Paul Vorsterman, The martyrdom of Saint Lawrence, 1621, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11322

Ottavio Leoni, Cristoforo Roncalli, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/943

Nicolaes Berchem, Stående ged og en liggende vædder, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19785

Sir Anthony van Dyck, Isabella Brant, 1621, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/54

Italian 17th Century, Madonna of the Hernleberg, 1626, woodcut printed in orange on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3868

Nicolaes Berchem, Hyrdinde med et får. Titelblad til "Får", 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19768

Ossenbeeck, Jan van, Liggende kat i et vindue, 1624–1674, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19802

Sir Anthony van Dyck, Filippo Cattaneo, 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1232

Giuseppe Caletti, Portrait of a Man as Saint George, c. 1620s, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/239

Nicolas Poussin, The Return of the Holy Family to Nazareth, c. 1627, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130392

Nicolaes Berchem, Stående vædder og et liggende får, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19783

Nicolaes Berchem, Stenblok med et basrelief forestillende en hyrde, der hælder vand i et trug, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19777

Ottavio Leoni, Galileo Galilei, 1624, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/937

Continental Painter, Portrait of a Woman, 1625, Oil on metal laid on card, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435925

Dirck van Baburen, Singender junger Mann, 1622, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2225

Nicolaes Berchem, Tre jagthunde, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19792

Anonymous Artist, The Adoration of the Shepherds, c. 1625/1675, terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/461

Nicolaes Berchem, To væddere, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19757

Nicolaes Berchem, En stående og en liggende ged, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19762

Jan van Goyen, Dorfstraße mit Rastenden an einem Steg, 1628, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3368

Jacques Callot, Envy, probably after 1621, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5365

Italian 17th Century, Cucorongna and Pernoualla, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5358

Cesare Dandini, Charity, c. 1630, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436078

Italian 17th Century, Taglia Cantoni and Fracasso, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5346

Reinier Zeeman, Amsterdams havn med vægterboden. Titelblad til "Forskellige skibe og udsigter fra Amsterdam", 1623–1664, Radering og koldnål, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19461

Italian 17th Century, Scaramucia and Fricasso, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5357

Nicolaes Berchem, Gedehoved vendt mod højre, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19740

Allaert van Everdingen, Landskab med en kirke på et bjerg, 1621–1675, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS2870

Ottavio Leoni, Giovanni Ciampoli, Papal Secretary, 1627, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/936

Continental Painter, Portrait of a Woman, 1625, Oil on copper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/435926

Martin Rykaert, River Landscape with Mining, 1620–1629, oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1730

Peter Paul Rubens, Portrait of Isabella Brant, c. 1620–25, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125247

Nicolaes Berchem, Stående vædder og et liggende får, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19782

Nicolaes Berchem, Æsel og geder, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1416

Nicolas Poussin, Nymphs and a Satyr (Amor Vincit Omnia), c. 1625–27, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/108555

Jacques Callot, The Flight into Egypt, c. 1633/1634, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5321

Nicolas de Son, La facade de l'abbaye de S. Nicaise de Reims, 1625, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6540

Italian 17th Century, Covered Cup with Serpent Handle, c. 1620/1630 (all but stem and mounts); late 16th century (stem); late 19th century (mounts), rock crystal and enameled gold, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1457

Ossenbeeck, Jan van, En bonde med to æsler, 1624–1674, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS5432

Nicolaes Berchem, En stående og en liggende ged, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19791

Nicolaes Berchem, To geder, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19765

Allaert van Everdingen, To vogne, 1621–1675, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS2214

Nicolaes Berchem, Et stående og et pissende får, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19775

Jacques Callot, Gluttony, probably after 1621, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5364

Claude Déruet, Triumph of the Amazons, 1620s, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436182

Sir Anthony van Dyck, A Man Riding a Horse, c. 1630, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436264

Ossenbeeck, Jan van, En mand, der sælger enebærvin, og tre tiggere, 1624–1674, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19797

Nicolaes Berchem, Stenblok med et basrelief forestillende en hyrde, der hælder vand i et trug, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19778

Italian 17th Century, Cap. Babeo and Cucuba, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5350

Nicolaes Berchem, Bondepige siddende på en sten. Titelblad til "Får", 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19754

Sir Anthony van Dyck, Maddalena Cattaneo, 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1233

Willem Jacobsz Delff, Ernest Casimir, Count of Nassau-Dietz, 1628, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6526

Nicolaes Berchem, Fårehyrde siddende på en sten. Titelblad til "Forskellige dyr", 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19779

Nicolaes Berchem, Et stående og et liggende får, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19756

Wenceslaus Hollar, The Mineral Spring, 1627–1636, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7857

Nicolaes Berchem, Tre geder, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19787

Nicolaes Berchem, Pissende ko, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19728

Nicolaes Berchem, Barberet får med to lam, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19772

Jacques Callot, The Adoration of the Magi, c. 1633/1634, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5319

Moyses van Wtenbrouck, Englen giver Tobit synet igen, 1621, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20088

Nicolaes Berchem, Tre geder, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19781

Nicolaes Berchem, En hyrde med sin hund. Titelblad til "Geder", 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19761

Claude Déruet, Departure of the Amazons, 1620s, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436183

Jacques Callot, The Presentation of the Virgin, c. 1633/1634, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5314

Jacques Callot, The Martyrs of Japan, c. 1627/1628, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5368

Nicolaes Berchem, Et stående får, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19759

Ossenbeeck, Jan van, Portræt af en mand med hat, formentlig maleren Pieter van Laer, 1624–1674, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19795

Tanzio da Varallo, Saint Sebastian, c. 1620/1630, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/332

Painter: Shao Mi, Bamboo, 1629, Ink on paper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/43.6

Nicolaes Berchem, Et stående og et liggende får, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19758

Gaspar de Crayer, Philip IV (1605–1665) in Parade Armor, c. 1628, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436049

Ottavio Leoni, Tommaso Salini, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/930

Nicolaes Berchem, To liggende får, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19755

Ottavio Leoni, Giovanni Francesco Barbieri, called Guercino, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/932

Jacques Callot, The Assumption of the Virgin, c. 1633/1634, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5324

Jacques Callot, Lust, probably after 1621, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5362

Ottavio Leoni, Paolus Qualiatus Clodianus, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/942

Jan Harmensz. Muller, Portræt af Jan Pieterszoon Sweelinck, 1624, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS4720

Ottavio Leoni, Gian Lorenzo Bernini, 1622, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/933

Italian 17th Century, Cap. Spessa Monti and Bagattino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5353

Johann Liss, The Satyr and the Peasant, possibly c. 1623/1626, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1178

Jacques Callot, The Virgin Presents Jesus at the Temple, c. 1633/1634, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5320

Sir Anthony van Dyck, The Prefect Raffaele Raggi, c. 1625, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1229

Sir Anthony van Dyck, Giovanni Vincenzo Imperiale, 1626, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1228

Jacques Callot, Attributes of the Virgin, c. 1633/1634, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5325

Jacques Callot, The Palace Gardens at Nancy, 1625, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/862

Jacques Callot, Pride (Vanity), probably after 1621, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5360

Jacques Callot, Saint John on the Isle of Patmos, 1625, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5309

Ossenbeeck, Jan van, Spåkvinde og en ung mand, t.v. for dem en ung kvinde og en harpespiller, 1624–1674, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS2901

Peter Paul Rubens, Zwei Reiterkämpfe, 1627–1628, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2261

Ossenbeeck, Jan van, Liggende kamel, 1624–1674, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19798

Ottavio Leoni, Raffaelo Menicucci, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/939

Sir Anthony van Dyck, The Virgin as Intercessor, 1628/1629, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1227

Sir Anthony van Dyck, Susanna Fourment and Her Daughter, 1621, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/55

Ossenbeeck, Jan van, Seks tiggere ved en fontæne, 1624–1674, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19800

Nicolaes Berchem, Hyrdinde med et får. Titelblad til "Får", 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19767

Tarquinio Jacometti, Madonna of Loreto, c.1625, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1395

Nicolaes Berchem, Bondepige siddende på en sten. Titelblad til "Får", 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19748

Dirck Hals, Fröhliche Gesellschaft, c. 1620, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1573

Robert Nanteuil, Frederic-Maurice, Duc de Bouillon, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9461

Jan van Goyen, Dorfstraße, 1628, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1226

Nicolaes Berchem, To liggende får, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19749

Italian 17th Century, Scenic Animal Carpet, c. 1625, wool pile on cotton warp and cotton weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1653

Nicolaes Berchem, Tre geder, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19786

Sir Anthony van Dyck, Saint Rosalie Interceding for the Plague-stricken of Palermo, 1624, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436257

Sir Anthony van Dyck, Self-Portrait, c. 1620–21, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436258

Ottavio Leoni, Thomas Stilianus, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/944

Ossenbeeck, Jan van, Klippelandskab med fire figurer i forgrunden, 1624–1674, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19810

attrib. to Johann Liss, The martyrdom of St Ursula, c.1622–26, Pen and ink on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12970

Ottavio Leoni, Pier Francesco Pauli, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/940

Jan Brueghel d. Ä., Blumenstillleben, c. 1620, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1209

Jan Anthonisz. van Ravesteyn, Portrait of a Woman, 1620s, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/95286

Nicolaes Berchem, Stående vædder og et liggende får, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19784

Ottavio Leoni, Giovanni Baglione, 1625, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/931

Robert Nanteuil, The Four Evangelists, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9227

Jacques Callot, The Visitation, c. 1633/1634, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5317

Ossenbeeck, Jan van, Hyrde og hyrdinde og tre liggende køer, 1624–1674, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS4173c

Ossenbeeck, Jan van, Mennesker og dyr ved en fontæne, 1624–1674, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19804

Robert Nanteuil, Ferdinand de Neufville, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9370

Cornelis de Vos, Bildnis der Susanna de Vos, der dritten Tochter des Malers, 1627, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/762

Peter Paul Rubens, Die mystische Vermählung der heiligen Katharina (Entwurf für das Hochaltarbild der Augustinerkirche in Antwerpen), Rückseite: zwei Reiterkämpfe, 1628, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/464

Sir Anthony van Dyck, Marchesa Elena Grimaldi Cattaneo, 1623, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1231

Nicolaes Berchem, To stående får og et lam, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19773

Jacques Callot, The Bohemians Marching: The Rear Guard, 1621, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5341

Pedro de Mena, Saint Peter of Alcántara, c. 1663–70, painted wood, with ivory and glass, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/168194

Jacques Callot, The Marriage of the Virgin, c. 1633/1634, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5315

Italian 17th Century, Cap. Bonbardon and Cap. Grillo, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5356

Domenichino, Temperance, 1628–30, black chalk heightened with white chalk, squared with black chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/141207

Dong Qichang, River and Mountains on a Clear Autumn Day, c. 1624–27, Handscroll; ink on Korean paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135964

Nicolaes Berchem, Tre jagthunde, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19793

Jacques Callot, The Bohemians Marching: The Vanguard, 1621, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5340

Sir Anthony van Dyck, A Genoese Noblewoman and Her Son, c. 1626, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1230

Italian 17th Century, Guatsetto and Mestolino, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5359

Nicolaes Berchem, En stående og en liggende ged, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19790

Italian 17th Century, Cap. Esgangarato and Cap. Cocodrillo, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5351

Nicolaes Berchem, Pissende ko, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19727

Sir Anthony van Dyck, Portrait of a Woman, Called the Marchesa Durazzo, probably c. 1622–25, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436255

Jan van Goyen, Feldweg mit Bauernhaus und Plankenzaun, 1629, Öl auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2208

Nicolaes Berchem, To geder og et kid, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19788

Nicolaes Berchem, En stående og en liggende ged, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19764

Nicolaes Berchem, Et stående får, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19753

Frans Hals, A Young Man in a Large Hat, 1626/1629, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/571

Nicolaes Berchem, Stående ged og to gedekid, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19766

Jacques Callot, The Annunciation, c. 1633/1634, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5316

Rembrandt van Rijn, A Young Man with a Chain, c. 1629 or 1632, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122348

Italian 17th Century, Cap. Mala Gamba and Cap. Bellavita, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5349

Nicolaes Berchem, Liggende får med to lam, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19769

Nicolaes Berchem, Et stående og et liggende får, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19752

Ossenbeeck, Jan van, Hvilende hund med sine hvalpe, 1624–1674, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS4173a

Ottavio Leoni, Giuseppe Cesari, 1621, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/935

Jacques Callot, Frontispiece for "The Life of the Virgin", c. 1633/1634, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5312

Jacques Callot, Sloth, probably after 1621, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5361

Robert Nanteuil, Louis-Francois de La Baume de Suze, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9237

Jacques Callot, The Death of the Virgin, c. 1633/1634, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5322

Robert Nanteuil, Andre Le Fevre d'Ormesson, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9460

Nicolaes Berchem, Tre geder, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb19780

Italian 17th Century, Cap. Cerimonia and Siga. Lavinia, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5355

Adriaen van Nieulandt the younger, Prince Maurits with His Horse and Groom, 1624 (Baroque), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.2507

Simon Vouet, Bust Portrait of a Young Man, 1620/25, Black and red chalk, with stumping, on tan laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/203870

Nicolaes Berchem, Gedehoved vendt mod venstre, 1620–1683, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1417

Robert Nanteuil, Nicholas Potier de Novion, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9368

Ossenbeeck, Jan van, To hvilende æsler, 1624–1674, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS5431

Hon'ami Koetsu 本阿弥光悦 (1558-1637), Folding screens mounted with poems from the anthology, Shin kokinshu 新古今集和歌色紙貼付屏風 （一双、画像：左隻のみ）, c. 1624–1637, Ink, color, and gold on paper; H x W (.195): 168.2 x 375.7 cm (66 1/4 x 147 15/16 in); H x W (.196): 168.2 x 377.2 cm (66 1/4 x 148 1/2 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390184151-0

Robert Nanteuil, Pierre Seguier, Marquis de Saint-Brisson, 1623, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9459