Italian 17th Century, The Parable of Lazarus and the Rich Man, 1618/1628, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/229

Pietro Damini, Saints Prosdocimus, Justina, Daniel, and Anthony of Padua in Glory with a View of the Prato della Valle, Padua, c. 1617–1619, Oil on copper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5265

Giulio Carpioni, Saint Jerome, 1613, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5907

Johann Andreas Rauch, Allegory of Sculpture, 1619, Pen and black ink, brush and gray wash, heightened with white (partially oxidized), over black chalk; framing lines in pen and black ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334719

Guercino, Venus and Cupid in a Chariot, 1615–17, Pen and brown ink and brush and brown wash over red chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/107189

Orazio Gentileschi, Danaë, c. 1623, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/145463

Domenichino (Domenico Zampieri), Landscape with Moses and the Burning Bush, 1610–16, Oil on copper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436205