Jacob Matham, Den bodfærdige Maria Magdalene, 1606–1611, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21751 Jacob Matham, Moses, 1602, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18838 Herman van Swanevelt, Satyrer rundt om et bål i en grotte, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18619 Antoine Caron, The Feast [central part] from The Story of Artemisia, 1607/30, Wool and silk, slit and double interlocking tapestry weave, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/464 Herman van Swanevelt, Forfalden romersk bygning med et tårn, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18609 Italian 17th Century, Busts of Man and Woman, c. 1600, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1353 Jan Brueghel d. Ä., Die Verspottung der Latona, 1601, Mischtechnik auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1104 Jacob Matham, Køkkenscene med en køkkendame, der renser fisk, 1603, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21497 Designer: Central design attributed to Henry Lerambert, Soldiers With Vases and a Litter, designed 1600–1606 (woven 1611–1627), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.2 Wenceslaus Hollar, Jesus Confronting His Detractors, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7782 Herman van Swanevelt, Tobias skræmt af fisken, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18635 Thai, Death of Buddha, 17th-18th century, terracotta, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/25.66 Herman van Swanevelt, Dansende satyrer, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18617 Jan - Engraver, BLOEMAERT, after Abraham Saenredam, The Expulsion from Eden (plate 4 from a series of six known as 'The History of the First Parents of Man’), 1604, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/22670 Anonymous Artist, Judas Leaving the High Priest, 1606, pen and brown ink with brown and gray wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1847 Wenceslaus Hollar, The Mocking, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7791 Caravaggio, The Crucifixion of Saint Andrew, 1606–7, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148758 Circle of Joos - Artist, Monogrammist IC (currently unidentified) De Momper, Jesus healing the blind, c.1600–20, Oil on timber panel, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/14698 Italian, Figures Beneath the Walls of a City, 17th century, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.749 Italian 16th Century, Christ and the Adulteress [recto], c. 1600, pen and brush and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8643 Herman van Swanevelt, Udsigt over vingården ved Villa Mamsrona, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18621 Gaspar de Crayer, The Meeting of Alexander the Great and Diogenes, 1605, Oil on canvas, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436048 Pieter Snayers, Cavalry Battle, 17th century (Baroque), oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.338 Russian, Triptych Icon of Christ, Saint Nicholas, and Saint Blaise, 17th century (Early Modern), tempera on wood, mercury-gilded copper alloy, and filigree enamel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.408 Greek 16th Century, Saint Martin and the Beggar, 1600/1614, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/91 Herman van Swanevelt, To satyrer med en gedeflok, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18615 Adam Elsheimer, Die Einschiffung der Helena, um 1603 - um 1605, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2115 Karel van Mander, Vor der Sintflut, 1600, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2072 Sir Anthony van Dyck, Sir Peter Paul Rubens (1577–1640), 1600, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436265 Adam Elsheimer, Die Bestimmung des Kreuzes Christi (Kreuzprobe), um 1603 - um 1605, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2124 Wenceslaus Hollar, Jesus Taken, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7784 Herman van Swanevelt, Ruiner på Palatinerhøjen, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18612 Wenceslaus Hollar, Jesus before Caiaphas, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7787 Wenceslaus Hollar, Jesus again before Caiaphas, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7786 UNKNOWN, (Figure of a Buddhist disciple), c.1600–50, Wood, figure of Buddha seated crosslegged with one arm raised. Covered with gesso and coloured pink, light red, green and cream. Small tiger at his feet, on a blue coloured base, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3532 Italian 17th Century, View of Lewenberg, 1600, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7982 Herman van Swanevelt, To satyrer leder en flok geder, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18616 Jan Harmensz. Muller, Portræt af Everhard van Reyd, 1602, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22129 Herman van Swanevelt, Første udsigt over Zugro, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18629 Italian 16th Century, Daniel in the Lions' Den [recto], c. 1600, pen and black ink with brush and gray ink and graywash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4765 Jacob Matham, Venus og Mars opdaget af Apollo, 1607, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21508 Hans Knieper, Frederiksborgs slott i Danmark, 1600, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106379486 Jacob Matham, Jomfru Maria med Jesusbarnet på halvmåneseglet, omgivet af engle, 1607, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18834 Italian 16th Century, The Three Women at the Tomb [recto], c. 1600, pen and brush and black ink with gray wash heightend with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4060 Jacob Matham, Portræt af Vincent Jacobsz. Coster, 1602, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS4717 Jacob Duck, River Landscape with Horseman, 1600, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6567 Jacob Matham, Maria og barnet med donorer og helgener (Sankta Lucia, Katarina af Alexandria, Frans af Assisi og medlemmer af Zuccaro-familien), 1604–1608, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21532 Hendrik Goudt, Tobias and the Angel (The Little Tobias), 1608, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/735 Herman van Swanevelt, Rundt tårn ved Tiberen, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18610 Adam Elsheimer, Die Befragung des Judas Cyriacus, um 1603 - um 1605, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2126 Herman van Swanevelt, Udsigt over Aqua Acetosa, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18623 Italian 17th/19th Century, Andiron with Figure of Juno, 17th/19th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1283 Anonymous Artist, The Betrothal of the Holy Virgin, 1606, pen and brown ink with brown wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1849 El Greco, Saint Ildefonso, c. 1603/1614, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/90 Italian 17th Century, The Triumph of Religion, c. 1600, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1360 Herman van Swanevelt, Pave Julius' vingård på Via Flaminia, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18628 Johan Carl Loth, The Sacrifice of Isaac, 17th century, Pen and brown ink, brown wash, corrections in white, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334914 Italian 17th Century, Burial of a Saint, c. 1600, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1365 Federico Barocci, Quintilia Fischieri, probably c. 1600, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/306 Jacob Matham, Markedsscene i en by, 1603, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21496 Jacob Matham, Aften, Venus' tid, 1601–1605, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21506 Italian 17th Century, The Triumph of Poverty, c. 1600, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1359 Italian 16th Century, The Birth of Christ [verso], c. 1600, pen and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8950 Jacob Matham, Aron, 1600–1603, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21502 Anonymous, German, 17th century, Studies for Decorative Arts Objects, 17th century, Pen and brown ink and gray watercolor, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334873 Italian 16th Century, Abraham Entertaining the Angels [verso], c. 1600, pen and brush and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8644 Italian 16th Century, Christ and the Woman of Samaria [verso], c. 1600, pen and black ink with brush and gray ink and graywash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4766 Herman van Swanevelt, Kro ved Prima Porta, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18625 UNKNOWN, Banquetting dish, 1603–1868 (Edo Period), White bodied clay square dish with Japanese characters in relief. Golden brown glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3961 Jan Pietersz Saenredam, Summer, 1601, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7395 Circle of Domenichino, Seated Youth and Sketch of Legs, n.d., Black chalk, heightened with touches of white chalk, on tan laid paper, partially laid down on buff laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/84665 Jacob Matham, Herren og Gabriel imødeser bebudelsen, Maria knælende forneden, 1601–1605, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21510 Jan - Engraver, GOLTZIUS, after Hendrik Saenredam, The four seasons, 1601–03, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1906 Jean Morin, Jerome Franck, 1600, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9160 Italian 16th Century, Pentecost [recto], c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4763 Anonymous, German, 17th century, Venus in the Forge of Vulcan, c. 1605, Pen and black ink, gray wash, heightened with white (partially oxidized), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334717 Herman van Swanevelt, Titelblad til "Tolv udsigter fra Rom og omegn", 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18620 Matthäus Merian the Elder, Perspectival Study with a View of a Medieval City, 1613–50, Pen and black ink, touches of red chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334718 Wenceslaus Hollar, The Crucifixion, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7794 Landscape with the Holy Family, 1600, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106367372 Wenceslaus Hollar, The Washing of Hands, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7789 Herman van Swanevelt, Abraham og de tre engle, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18633 Jacob Matham, Portræt af Cornelis Musius, 1600–1610, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21765 Wenceslaus Hollar, The Resurrection, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7796 Italian 16th Century, The High Priest before Pilate [verso], c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4061 Wenceslaus Hollar, Jesus before Annas, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7788 Ambrosius Bosschaert, Flowers in a Glass, 1606, oil on copper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136207 Georg Flegel, Stillleben mit Hechtkopf, um 1600 - um 1610, Mischtechnik auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1801 Herman van Swanevelt, Landskab med vaskekoner, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18657 Guido Reni, Christus an der Geißelsäule, c. 1604, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1094 Herman van Swanevelt, Battus forvandles til sten, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18663 Wenceslaus Hollar, The Entombment, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7795 Jan Brueghel d. Ä., Waldige Landschaft mit Figuren, c. 1605–1610, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1210 Jacob Matham, Morgen, Auroras tid, 1601–1605, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21504 Jacob Matham, Jesus stående med korset, 1600–1603, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18836 UNKNOWN, Footed banquetting dish, 1603–1868 (Edo Period), Red lacquerware decorated in gilt with rocks, trees and a bird, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/136 Herman van Swanevelt, Hagar og englen, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18634 Anonymous Artist, Christ before Pilate, 1606, brush and brown ink on brown paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1841 Sisto Badalocchio, Christus mit der Samariterin am Brunnen, c. 1609–1610, Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1259 Giovanni Battista Crespi gen. Il Cerano, Taufe Christi, 1601, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1513 Jan Harmensz. Muller, Portræt af Christian IV, 1604–1608, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22141 Adam Elsheimer, Tobias and the Angel (Apocrypha, Tobit, V-VI), 17th century, oil on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1140 Jacob Matham, Ceres, Bakkus og Venus, 1601–1700, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21515 Jacob Matham, Køkkenscene med en køkkendame, der plukker fjerkræ, 1603, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21498 Italian 16th Century, Noli Me Tangere [verso], c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4764 Adam Elsheimer, Die Verherrlichung des Kreuzes, um 1603 - um 1605, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2008 Jan Pietersz Saenredam, Allegory of the Triumph of the Netherlands over Spain, 1600, Engraving on cream antique laid paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4637 Herman van Swanevelt, Elias i vildnisset, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18636 Jan Pietersz Saenredam, Autumn, 1601, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7389 Jacob Matham, Jomfru Maria med barnet omgivet af engle, 1605–1609, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18845 Jacob Matham, Middag, Phoebus' tid, 1601–1605, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21505 Jacob Matham, Tamar udklædt som kurtisane modtager ring og stav fra Juda, 1602–1606, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18829 Jacopo Palma the Younger, Studies for Four Figures (recto); Composition Sketches for Groupings of Figures on Clouds (verso), 1600–14, Brush with brown and white oil paint, over black chalk (recto); black chalk and charcoal (verso), The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334695 UNKNOWN, Mortar, 1603, Cast flaring cylindrical bronze shape with square big handles and bands of foliate designs, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/15126 Justus van Egmont, Zenobia Surrounded by Mounted Soldiers, n.d., Black chalk with brush and brown wash and touches of graphite, on cream laid paper, pieced together and laid down on board, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/110098 Indian, Krishna with a Butterball, 17th century, copper alloy with shell inlay and traces of paint, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.3079 Wenceslaus Hollar, Head of Woman Looking Right, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7989 Herman van Swanevelt, Anden udsigt over Zugro, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18630 Herman van Swanevelt, Vejfarende ved en bæk, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18656 Jacob Matham, Jesus i Emmaus, 1604–1608, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18842 Gabriel Metsu, The Note, 17th century (Baroque), oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.676 Anonymous Artist, Mother and Child, 1606, reed pen and brown ink, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1850 Herman van Swanevelt, Satyrer samler frugt, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18618 Bartolomeus van Lochom, Ornament with Foliage and Birds, 1607, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8015 Jacob Matham, Katarina fra Alexandria, 1602–1605, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18835 UNKNOWN, Amida Nyorai, c.1603–50 (early Edo period), Wood, lacquer, gilding and gemstones, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19532 Jan Harmensz. Muller, Kristus som smertensmand omgivet af engle, 1608–1612, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22123 Wenceslaus Hollar, Carrying the Cross, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7793 Spanish 14th Century, Ewer and Cover, 14th century (crystal); c. 1600 (mounts); before 1905 (spout), rock crystal and gilded silver and copper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1463 Sir Anthony van Dyck, Portrait Bust of Inigo Jones, 17th century, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.803 Karel van Mander, Emblematische Darstellung, 1600, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2352 Adam Elsheimer, Heraklius wird der Einzug in Jerusalem zu Pferd verweigert, um 1603 - um 1605, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2103 Johan Carl Loth, Solomon, 17th century, Pen and brown ink, highlighted with lead white on gray paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334916 Cristofano Allori, Studie eines Knabenkopfes mit Schirmmütze, c. 1600, Zwei verschiedene Rötel über Spuren von Kohle auf wohl mit Kreide weiß präpariertem Büttenpapier, links oben eine geschwungene Linie mit schwarzem Stift, leichte Griffelspuren am linken Auge und linken Wangenkontur, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/112148 Flemish, Portrait of a 28-Year-Old Man, Probably from the Snouck Family, 1603–1610 (Baroque), oil on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.613 Italian 17th Century, Vase with Two Handles, c. 1600 (vase); 19th century (handles), rock crystal and enameled gold, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1461 Hans Janssen, Handle for Knife or Fork, Ornamented with Figures, 1605, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8016 Herman van Swanevelt, En romersk ruin, i forgrunden en rytter, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18606 Landscape with a Road through a Village, 1609, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106361767 Italian 17th Century, Model of an Escutcheon, c. 1600, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1432 Herman van Swanevelt, Udsigt over en italiensk villa, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18607 Italian 16th Century, Christ in the Garden of Gethsemane, c. 1600, pen and brush and black ink with gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7449 Adam Elsheimer, Die Sintflut, um 1600 - um 1601, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1593 Jacob Matham, Hyrdernes tilbedelse, 1604–1607, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18832 Italian 17th Century, Polonaise Carpet, first half 17th century, silk pile and metal brocade on cotton warp and cotton and silk weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1651 Adam Elsheimer, Die Verleugnung Petri, c. 1600–1605, Feder in Braun auf graugelblichem Papier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/20191 Conrad Kreiser, Octagonal Watch, 1600–1620 (Baroque), rock crystal, topaz, rubies, gold, and champlevé enamel case; gold and ""basse-taille"" enamel dial; partially gilded brass and steel movement, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/58.25 Italian 17th Century, Polonaise Rug, first half 17th century, silk pile with gold and silver brocade on cotton warp and cotton and silk weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1652 Anonymous Artist, An Old Scholar at His Desk, 1606, pen and brown ink with brown wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1854 Annibale Carracci, Ruhende Venus, c. 1602, Feder und Pinsel in zwei Brauntönen über schwarzer Kreide, mit weißer Kreide gehöht, auf blauem Büttenpapier, ganzflächig auf festem, rückseitig bedrucktem Papier aufgezogen, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/7062 Adam Elsheimer, Die Grabung nach dem Kreuz Christi, um 1603 - um 1605, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2102 Anonymous Artist, Hannah Rejecting the Reproaches of the Prophet Eli, 1606, pen and brown ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1845 Angelo Caroselli, Saint Jerome in the Wilderness, c. 1620–1630 (Baroque), oil on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1910 Herman van Swanevelt, Et stort træ nær et hus, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18608 Italian 17th Century, At the Dram Well, 17th century, pen and brown ink with brown wash, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4596 after Paul - Artist, SADELER, Gillis Bril, Januarius - Februarius, c.1600, reproduced c.1880s, Photogravure reproduction of an engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12764 Jacob Matham, Nat, Morfeus' tid, 1601–1605, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21507 Joos de Momper the Younger, Landscape with the Fall of Phaeton, 1607, Nationalmuseum, Stockholm. https://dartabase.art/cite/nmse/Q106366471 Wenceslaus Hollar, Ecce Homo, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7792 Wenceslaus Hollar, Jesus on the Mount of Olives, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7783 Jacob Matham, Portræt af Giuseppe Cesari, 1606, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21511 Master of the Large Figure Brush Drawings, Group of Men, 17th century, Brush and brown wash over traces of black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334821 Published by Gerard de Jode, Twelve Scenes from Ovid's Metamorphosis, c. 1606, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4604 UNKNOWN, Obi, 1603–1868 (Edo Period), Woven silk brocade in bronze, green and brown, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/4203 Jan Brueghel d. Ä., Waldlandschaft mit der Flucht nach Ägypten, c. 1600, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1208 Jean Morin, Nicolas Chrystin, 1600, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9161 Adam Elsheimer, Heraklius trägt das Kreuz nach Jerusalem hinein, um 1603 - um 1605, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2038 Jacob Duck, Riding School, 1600, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6566 Hans Janssen, Handle for Knife or Fork, Ornamented with Figures, 1605, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8017 Wenceslaus Hollar, Jesus before Pilate, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7785 Domenico Fiasella, Standing Youth Holding Hat, and Sketch of Legs, n.d., Black chalk on blue laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/85059 Adam Elsheimer, Saulussturz, c. 1600 - c. 1603, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2091 Johann Liss, Recto: The Concert Verso: Seated Male Nude, early 17th century, Black chalk on brown paperf, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334913 Jean Morin, Cardinal Guido Bentivoglio, 1600, engraving and etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9158 CONRADE FRERES (NEVERS), Faïence platter (The Prophet Elijah confronting the priests of Baal on Mount Carmel), c.1600–18, Earthenware, tin glazed and polychromed, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13556 David Teniers d. Ä., Geburt des Adonis, c. 1600–1605, Mischtechnik auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/760 Rembrandt van Rijn, Sketches from a Tavern: Woman Standing and Two Men Seated, 1606, pen and brown ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1856 Abraham Bloemaert, Das Goldene Zeitalter, 1603, Feder in Braun sowie Pinsel in Grau und Braungrau über schwarzer Kreide, weiß gehöht (Gouache und Bleiweiß, oxidiert), durchgegriffelt, Einfassungslinie mit der Feder in Dunkelbraun über dünnerer Einfassung mit der Feder in Hellbraun, auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/19223 Herman van Swanevelt, Landskab med et hus på en klippe, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18661 Andrea Vicentino (Andrea Michieli), King Solomon Beholds the Ark of the Covenant Being Brought to the Temple, 1604, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of black chalk, on blue paper, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334680 Anonymous Artist, The Adoration of the Shepherds, 1606, pen and brown ink with gray-brown wash, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1838 Anonymous Artist, An Oriental, 1606, pen and brown ink with brush and brown-black ink on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1851 Wenceslaus Hollar, Descent into Hell, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7797 Jacob Matham, Merkur og Herse, 1604–1608, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21527 UNKNOWN, Oblong footed dish, 1603–1868 (Edo Period), Slab-built grey bodied clay, decorated with blue and olive green leaves and fish within circular reserve against a dull cobalt striped ground, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3538 Jacob Matham, Hyrdernes tilbedelse med Peter og Paulus i en allegorisk ramme, 1604, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21513 Herman van Swanevelt, Landskab med et hospital, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18654 Jacob Matham, Den bodfærdige Maria Magdalene, 1602, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb1343 French, Monkey Pomander, 17th century, gold, enamel, gem, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.487 Jacques de Gheyn II, Karel van Mander auf dem Totenbett, 1606, Feder in Braun über Spuren von schwarzer Kreide, die Harfe blaugrau laviert, weiß gehöht (an den Köpfen, Spuren), allseitige Einfassungslinie mit der Feder in Hellbraun, links zudem mit dem Graphitstift, auf weiß grundiertem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/13343 Herman van Swanevelt, Villa udenfor Porta Pia, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18632 Second School of Fontainebleau, Charity, c.1600, Pen, brown ink, brown wash on thin buff laid paper mounted on wove paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/7437 Jan Pietersz Saenredam, Spring, 1601, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7394 Herman van Swanevelt, Kirken "Quattro Santi Coronati", 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18614 Italian, Judith Showing the Head of Holofernes to the People, 17th century, oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1135 UNKNOWN, Sake bottle in the shape of a fanciful tortoise, 1603–1868 (Edo Period), Slip-cast red clay with splashed buff and brown glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6697 Wenceslaus Hollar, The Scourging, 1607, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7790 Jacob Matham, Markedsscene, 1603, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21499 Anonymous Artist, Jacob's Dream, 1606, pen and brown ink with gray wash on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1846 Carracci, Der heilige Sebastian wird von der heiligen Irene und einer Dienerin gepflegt, c. 1605–1610 ?, Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/886 Italian 17th Century, Fracischina and Gian Farina, 1622 or later, etching on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5344 Herman van Swanevelt, Skt. Adrians kirke ved Via Flaminia, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18626 Jacob Matham, Noli me tangere, 1602, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS4548 Herman van Swanevelt, Gravsted på Via Appia, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18624 Herman van Swanevelt, Gård bag Porta del Popolo, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18627 Jan Pietersz Saenredam, Winter, 1601, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7390 Italian 17th/19th Century, Andiron with Figure of Jupiter, 17th/19th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1282 UNKNOWN, Set of four miniature Samurai chests, 1603–1868 (Edo Period), Lacquerware with floral and stylised foliate gilt motifs and bronze mounts; the smallest with red cords attached, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6650 Italian 16th Century, The Adoration of the Kings [recto], c. 1600, pen and black ink with brush and gray ink and gray wash heightened with white on gray prepared paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8949 Herman van Swanevelt, Et kloster nær Rom, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18613 UNKNOWN, Banquetting dish, 1603–1868 (Edo Period), Red lacquerware decorated with stylised scale pattern in bronze and four tortoises (symbols of longevity) in gilt, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11752 Russian, ""Praise the Lord from the Heavens"", 17th century (Early Modern), ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.256 Jacob Matham, Jan van de Velde den ældre, 1602–1606, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS4549 Johann Theodor de Bry, The Golden Age, 1608, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6474 Herman van Swanevelt, Landskab med vejfarende, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18655 Willem van Swanenburgh, Neptun ridende på to delfiner, 1603–1607, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb3579 Italian 17th Century, Medallion and Animal Carpet, c. 1600, wool pile on silk warp and wool and cotton weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1655 Adam Elsheimer, Jakobs Traum von der Himmelsleiter, c. 1600, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2120 Kano Naonobu, Landscape with Full Moon, Edo period, 17th century, Hanging scroll; ink on paper, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4927 Herman van Swanevelt, Merkur og Battus, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18662 Italian 17th Century, A Dancing Faun, c. 1600, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1259 Jacob Matham, Køkkenscene med en mand og en kvinde, der steger en kylling, 1603, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21500 Herman van Swanevelt, Caracallas termer, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18622 Adam Elsheimer, Kreuzaltar, c. 1603 - c. 1605, Öl auf Kupfer, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102044 Herman van Swanevelt, Bygning med et firkantet tårn, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18611 Wolfgang Kilian, Twelve Roman Emperors (XII Caesarum), 1608, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/1426 Herman van Swanevelt, Tredje udsigt over Zugro, 1603–1655, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb18631 Antoine Caron, The Petitions [right part] from The Story of Artemisia, 1607/30, Wool and silk, slit and double interlocking tapestry weave, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/463