Conrad Goltzius, Johannes Døberen i ørkenen, 1588–1591, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20907

Paolo Veronese, Mars und Venus, nach 1580, Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/888

Milanese 16th Century, Venus, c. 1580/1590, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/139

Federico Barocci, Aeneas Saving Anchises at the Fall of Troy, 1587–88, Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136390

Milanese 16th Century, Bacchus and a Faun, 1580/1600, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/140

Domenico Tintoretto, Susanna, c. 1580s, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/372

Bartolomeo Schedoni, The Infant Christ Sleeping, c. 1600–1615 (Baroque), oil on wood (walnut) panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.611

Veronese, The Finding of Moses, c. 1581/1582, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/45

Hieronymous Wierix, Phillip II, King of Spain, 1586, Engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/26686

Pieter de Jode I, Neptune in his Chariot, late 16th–mid 17th century, Pen and brown ink, brown wash, over traces of black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334883