Paolo Veronese, Mars und Venus, nach 1580, Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/888

Milanese 16th Century, Venus, c. 1580/1590, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/139

Federico Barocci, Aeneas Saving Anchises at the Fall of Troy, 1587–88, Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/136390

Joseph Heintz the Elder, Figures Adoring a Statue of the "Magna Mater", 1585, Pen and brown ink, brush and gray-brown wash, heightened with white, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334884

Milanese 16th Century, Bacchus and a Faun, 1580/1600, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/140

Domenico Tintoretto, Susanna, c. 1580s, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/372

Hans Bock d. Ä., Venustanz, um 1580 - um 1590, Mischtechnik auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2216

Hans Jakob Plepp, Design for Stained Glass, c. 1590, Pen and black ink, brush and gray wash, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334712

Bartolomeo Schedoni, The Infant Christ Sleeping, c. 1600–1615 (Baroque), oil on wood (walnut) panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.611

Veronese, The Finding of Moses, c. 1581/1582, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/45

Christof Murer, Lot and His Daughters, 1581, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5327