Martin Didier Pape, Plaque with Medea's Murder of Absyrtus, 1580–1600 (Renaissance), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.281

German, Two-Handed Sword, 1580–1600, partially blackened steel, wood, velvet, leather, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.1335

Tibetan, Mahasiddhas Shavaripa and Dharikapa, c. 1600, tempera on cloth, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/35.319

German, Composite Armor for a Boy, 1580–1620, with later additions, steel, gilded copper alloy, leather (assembled and etched in the 1800s), Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.590

KATO, Goemon Seto Kilns - Pottery, Narrow-necked jar with lugs (tsubo), 1582 (early Azuchi-Momoyama Period), Stoneware, wheelthrown form with kiln and ash marks, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10442

Girolamo Porro, Emblematic device with oysters and pearls from compendium, 1586, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/22683

German, Tankard, c. 1600 (Baroque), stoneware with salt glaze and pewter lid, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.2087

after VERONESE, Adoration of the Magi, 1580, Oil on copper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/6728

Suzanne de Court, Oval Plaque with the Annunciation, c. 1600 (Early Modern), painted enamel and gilding on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.191

Jost Amman, Three Figure Studies of Monks with Latin text on verso (from 'Cleri totus', Frankfurt), 1585, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/22678

Adriaen Collaert, Twelve Scenes from the Life of Christ (Emblemata Evangelica) plus title page, 1585, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4605