Johann Theodor de Bry, Fountain of Youth, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6472 Johann Theodor de Bry, Army Train and Death, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6475 Cornelis Cort, The Cycle of Vicissitudes of Human Affairs, 1564, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/4858 Pénicaud family, The Ascension, 1560–1600 (late Renaissance), painted enamel and gold on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.61 JACOBEAN STYLE, Textile fragment, c.1560–1600, Worsted spun linen twill with crewel embroidery in polychrome wool. Braid attached, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/10751 Paolo Veronese, Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto], c. 1570, pen and brown ink (iron gall) and brush and brown wash, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/118663 Italian 16th Century, Cup with Allegorical Scenes and Shields of Este Arms, 1560s, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1271 Vincenzo Danti, The Descent from the Cross, c. 1560, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1250 Workshop of Jan van Tieghem, The Meeting of Jacob and Rebecca, and Isaac Blessing Jacob from The Story of Jacob, 1560/68, Wool and silk, slit and double interlocking tapestry weave Warp: Count: 5 warps per cm; wool: S-ply of three Z-spun elements; diameter: 1.2 mm Weft: Count: varies from 20 to 34 wefts per cm; wool: S-ply of two Z-spun elements; diameters; 0,4–1.2 mm; silk: S-ply of two Z-twisted elements; diameters: 0.5–1.5 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/79796 Italian 16th Century, The Lamentation, c. 1560, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1381 Mathias Beutler, Ornament, 1562, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4635 Giovanni Battista Moroni, A Gentleman in Adoration before the Madonna, c. 1560, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/255 Mathias Beutler, Ornament, 1562, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4638 Titian, Emilia di Spilimbergo, c. 1560, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1221 Titian, Irene di Spilimbergo, c. 1560, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1222 Alonso Sánchez Coello, Portrait of Infante Ferdinand of Spain, c. 1574 (Renaissance), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.551 Antoine Caron, The Riding Lesson, designed 1562–65 (woven 1611–27), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.7 UNKNOWN, Dish, 1567–1572 (Lung Ch'ing Period), Stoneware with wide lip and fluted exterior and interior moulded with two fish. Celadon glaze, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/1879 Mathias Beutler, Ornament, 1562, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4634 Matthäus Greuter, Sommer, 1566–1638, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb21483 Hieronymous Wierix, Circumcision, before 1573, Engraving print in black ink on off-white antique laid paper, darkened and soiled, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/250377 Weaver: attributed to Workshop of Lucas Wandandalle at the Faubourg Saint-Marcel manufactory of Marc de Comans and Françoi, The Queen Distributing the Booty, designed 1562–65 (woven 1611–27), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.10 Freer, Birds, flowers, and trees: on the back, bamboo trees, 1568–1615, Ink on paper; H x W: 177.7 x 378.3 cm (69 15/16 x 148 15/16 in), National Museum of Asian Art, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643390182193-1643390185396-0 Mathis Zündt, Louis III de Bourbon, prins af Condé, 1568, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22349 Italian 16th Century, The Adoration of the Shepherds, 1561, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1380 Mathis Zündt, Portræt af Joannes de Valeta, 1566, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22351 Diana Scultori, Christ Making Saint Peter Head of the Church, c.1567, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7357 Toussaint Dubreuil, Cupid with Two Doves, 1567, Pen and brown ink, over black chalk, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334702 Anonymous Artist, Oval Dish with the Birth of Adonis, c. 1560, enamel painted on copper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1450 Johann Theodor de Bry, The Baggage Train with the Sergeant-Major, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6476 Persia (Iran), A King Picnicking in the Mountains, c. 1560, Ink, colors, and gold on paper, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/43.31.2 Nicolò Boldrini, Venus and Cupid, 1566, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4152 Mathis Zündt, Louis III de Bourbon, prins af Condé, 1568, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb22350 Antonis Mor, Portrait of a Gentleman, 1569, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/59 Leonard Limousin, Round Dish with the Wedding Feast of Cupid and Psyche, c. 1562, enamel painted in grisaille on copper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1453 Mathias Beutler, Ornament, 1562, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4637 Netherlandish 16th Century, The Masquerade of Ourson and Valentin, 1566, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/730 Antoine Caron, Exercise in the Assault and Defense of a Bastion, designed 1562–65 (woven 1611–27), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.8 French, Cabinet with Allegorical Figures of the Seasons, c. 1580–1620 (Baroque), carved and inlaid walnut wood, marble, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/65.1 Abraham de Bruyn, Venus, 1569, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5287 Johann Theodor de Bry, Country Fair, 1561, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6473 Italian 16th Century, Covered Cup with Shield of Arms of the Countess of Gleichen, c. 1566 (crystal); 1566 (mounts), rock crystal and enameled gold, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1456 Cornelis Cort, The Triumph of the World, 1564, Harvard Art Museums, Cambridge. https://dartabase.art/cite/harvard/5328 Italian 16th Century, Incense Burner, c. 1560/1580, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1278 Designer: Central design attributed to Antoine Caron, or an artist of his generation, The Education of the Young King, designed 1562–65 (woven 1611–27), Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.6 Francesco Morandini, Saint Helena, c. 1575 (Renaissance), oil and tempera on panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1096 Diana Scultori, Latona Giving Birth to Apollo and Diana on the Island of Delos, 1561–1565, engraving on laid paper (with offset of Diana Scultori's "Snake Charmer" [B.44] on verso), National Gallery of Art, Washington. https://dartabase.art/cite/nga/7358 Alessandro Vittoria, Door Knocker with Neptune and Seahorses, c. 1575–1585 (Renaissance), bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.3 Jost Amman, Der Zeugwart Der Bucksenmeister (from 'Das Kriegsbuch' (The War Book)), c.1565, Woodcut page, double-sided on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/22676 Antoine Caron, The Queen’s Entry into the Harbor of Rhodes, designed 1562–68, Wool, silk, silver, silver-gilt yarns, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/48.13.9 Mathias Beutler, Ornament, 1562, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4636