Philip Galle, Justice, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5279 Johannes van Doetechum the Elder, Magdalena Poenitens (The Penitent Magdalene), c. 1555/1557, etching and engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5282 Italian 16th Century, Christ Appearing to the Apostles, late 16th century, silver, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1435 Jean Duvet, The Unicorn Purifies the Water with Its Horn, probably c. 1555/1561, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/734 Cornelis de Bye, Coconut Cup with Old Testament Scenes, before 1598 (Renaissance), coconut, silver mounts, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.1046 Paolo Veronese, Allegorie des "Beneficio", c. 1550–1560, Pinsel in Graubraun, weiß gehöht, Spuren von blauer Farbe am Postament und an der linken Hand, allseitige Einfassungslinie in Schwarz, auf grün grundiertem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/7191 after Cornelis Cort, Untitled (nativity scene), c.1550–70s, repro. c.1880s?, Photogravure reproduction of an engraving, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12515 Heinrich Aldegrever, The Good Samaritan Placing the Traveler on a Mule, 1554, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3441 Chinese, Bottle Vase Made for a Portuguese Trader, 1552 (Late Ming Dynasty), porcelain with underglaze blue, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/49.1616 Hanns Lautensack, Ulrich Schwaiger (?), 1554, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7662 Heinrich Aldegrever, Dancing Couple, 1551, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3478 Anonymous Artist, Christ on Tomb with Two Angels, late 16th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1364 Hanns Lautensack, View of Nuremberg from the East [left section], 1552, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8254 Anonymous Artist, Andrea de' Franceschi, late 16th or early 17th century, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/42 Giovanni Battista Moroni, Portrait of an Ecclesiastic, c. 1557, Oil on canvas, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/16.22 Heinrich Aldegrever, Hercules Killing Nessus, 1550, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3471 Heinrich Aldegrever, The Two Elders Convicted by the Testimony of Daniel, 1555, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3437 Heinrich Aldegrever, Hercules and Anthaeus, 1550, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3466 Lucas Cranach the Younger, Bildnis Martin Luthers (1483-1546), 1559, Mischtechnik auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102189 Hanns Lautensack, View of a Town near a River with a Church on the Right, 1553, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8249 Johannes van Doetechum the Elder, Nundinae Rusticorum (Rustic Market), c. 1555/1557, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/727 Milanese 16th Century, "The Morosini Helmet" (visored burgonet), probably 1550/1560, repoussé and embossed iron or steel, with gilding and silvering, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1516 Giovanni Battista Moroni, Bildnis eines Laienbruders mit illusionistischem Rahmen, c. 1555–1560, Mischtechnik auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/898 Heinrich Aldegrever, Ornament with Vase and Two Female Figures, 1553, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3526 Heinrich Aldegrever, Titus Manlius Beheading His Son, 1553, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3458 Heinrich Aldegrever, Hercules and Atlas, 1550, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3469 Heinrich Aldegrever, Traveler among Thieves, 1554, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3439 Venetian, Portrait of a Nobleman in Armor, c. 1570–1580 (Late Renaissance), cast bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.409 Hanns Lautensack, View of a City near a River, 1553, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8253 Italian 16th Century, Pietà, second half 16th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1391 Hanns Lautensack, Georg Roggenbach, 1554, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8250 Heinrich Aldegrever, Dancing Couple, 1551, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3479 Titian, Woman Holding an Apple, c. 1550, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/435 Heinrich Aldegrever, Ornament with Mask, 1550, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3522 Jean de Court, Apollo and the Muses, 1555–1585 (Renaissance), enamel over foil on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.207 Hieronymus - Engraver, BOL, after Hans Cock, View of a village with a chariot drawn by two horses, c.1551–63, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3718 Italian 16th Century, Susanna Surprised by the Two Elders, 1555, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3434 Italian 16th Century, Walnut Table with Lion Sphinxes, second half 16th century, walnut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1533 Heinrich Aldegrever, Hercules Fighting with the Hydra of Lernea, 1550, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3464 Hanns Lautensack, View of Nuremberg from the East [center section], 1552, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8255 Heinrich Aldegrever, The Virgin Seated, 1553, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3449 Philip Galle, Hope, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5280 Christoph Schissler, Portable Drum Watch, 1550–1570 (Renaissance), gilded brass case, partially gilded brass dial with traces of unidentified red pigment, iron and brass movement, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/58.70 Heinrich Aldegrever, Hercules Slaying the Dragon Ladon (from 'The Labours of Hercules'), 1550, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/22669 Heinrich Aldegrever, Hercules Slaying the Lion of Nemea, 1550, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3462 Italian 16th Century, Silk Medallion Rug, late 16th century, silk pile on silk warp and weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1656 Heinrich Aldegrever, Dancing Couple, 1551, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3482 Jean Miette, Portrait of the Emperor Vitellius, 2nd half 16th century, painted enamels on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.166 Heinrich Aldegrever, Hercules Carrying the Two Columns of Gaza, 1550, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3472 Melchior Lorch, Albrecht Durer, 1550, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8647 Italian 16th Century, The Rich Man in Hell, after 1554, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3446 Heinrich Aldegrever, Hercules and Cerberus, 1550, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3465 Heinrich Aldegrever, Hercules Slaying the Dragon, 1550, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3468 Heinrich Aldegrever, Hercules Preventing the Centaurs from the Rape of Hippodamia, 1550, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3470 Johannes van Doetechum the Elder, Milites Requiescentes (Soldiers at Rest), c. 1555/1557, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5283 Heinrich Aldegrever, The Good Samaritan Ministering to the Traveler, 1554, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3440 Heinrich Aldegrever, Ornament, 1552, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3524 Heinrich Aldegrever, Hercules as a Child, 1550, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3461 Jacopo Nizzola da Trezzo, The Fountain of the Sciences, c. 1550, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1397 Heinrich Aldegrever, Ornament, 1553, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3527 Heinrich Aldegrever, The Good Samaritan Paying for the Lodgings of the Traveler, 1554, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3442 Flemish, Plaque with Saint John the Baptist Preaching, 1550–1600 (Renaissance), gilded bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.1044 German, Plaque with a Battle of Naked Men over the Abduction of a Woman, 1550–1575 (Late Renaissance), ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.316 Heinrich Aldegrever, The Severe Father, 1553, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3459 Tintoretto, Moses schlägt Wasser aus dem Felsen, c. 1555–1570, Öl auf Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1507 after Cornelis Cort, Battle of Hannibal, c.1550–70s, repro. c.1880s?, Photogravure reproduction of an engraving, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11498 Italian, Powder Flask, 1550–1575 (Renaissance), molded leather, wood, iron, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.592 Italian 16th Century, Cassapanca with Atlantes Supporting the Arms, c. 1550, walnut, pine, maple, and oak, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1563 Jacopo Bassano, The Annunciation to the Shepherds, probably 1555/1560, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/267 François Clouet, Bildnis der Beatrix Pacheco, Gräfin von Montbel und Entremonts, c. 1550, Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1097 Italian 16th Century, A Jurist, c. 1550, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1284 Philip Galle, Prudence, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5275 Heinrich Aldegrever, Christ on the Cross, 1553, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3447 Andrea Andreani, Allegory on Death, 1558, chiaroscuro woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4071 Sofonisba Anguissola, Portrait of Marquess Massimiliano Stampa, 1557 (High Renaissance), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1016 Heinrich Aldegrever, Dancing Couple, 1551, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3477 Heinrich Aldegrever, The Night, 1553, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3497 Philip Galle, Temperance, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5276 Heinrich Aldegrever, Dancing Couple, 1551, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3476 Heinrich Aldegrever, Modesty, 1552, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3530 Heinrich Aldegrever, Hercules Fighting the Rivergod Achelus, 1550, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3467 Heinrich Aldegrever, Susanna Surprised by the Two Elders, 1555, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3435 Italian 15th Century, Christ Appearing to the Apostles, c. 1550, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1433 Lucas van Doetechum, Euntes in Emaus (The Pilgrims to Emmaus), c.1555/1557, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5285 Heinrich Aldegrever, Hercules Killing Cacus, 1550, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3463 Hanns Lautensack, Landskab med et slot på en klippe, 1553, Radering, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKS4443 Hanns Lautensack, View of Nuremberg from the East [right section], 1552, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8256 Hanns Lautensack, Landscape with Three Men, c. 1558/1559, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8251 Léonard Limosin, Portrait of a Gentleman, 1550–1570 (Baroque), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.268 Heinrich Aldegrever, The Two Elders Stoned by the People, 1555, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3438 Jean Duvet, A King Pursued by a Unicorn, c. 1555, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6825 Heinrich Aldegrever, The Virgin with the Child on the Crescent, 1553, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3448 Heinrich Aldegrever, Lot Prevents the Inhabitants of Sodom from Violence (from a set of four plates on 'The Story of Lot'), 1555, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/22668 Titian, Venus with a Mirror, c. 1555, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/41 Philip Galle, Faith, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5277 Hanns Lautensack, Johann Aventinus (Johann Turmair), 1554, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8252 Andrea della Robbia, Saint Peter, c. 1900/1925 (figure); c. 1550 (framing garland), glazed terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/471 Philip Galle, Fortitude, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5278 Heinrich Aldegrever, The Rich Man on His Death Bed, 1554, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3444 Heinrich Aldegrever, The Rich Man at the Table, 1554, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3443 Heinrich Aldegrever, The Two Elders Before the Judge, 1555, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3436 Pieter Aertsen, Marktstück mit Christus und der Ehebrecherin, 1559, Mischtechnik auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1368 Italian 16th Century, Walnut Table with Herms and Sphinxes at the Ends, second half 16th century, walnut, oak, beech, and maple, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1527 Italian 16th Century, Reliquary Cross, 1550/1575, with late 19th century alterations, enameled gold, rock crystal, diamonds, emerald, rubies, glass pearls, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1455 Heinrich Aldegrever, Sophonisba, 1553, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3483 Anton Wierix II, The Crucifixion called the Sword Pommel of Maxmilian, 1553, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6658 Heinrich Aldegrever, High Fruits with Ornaments, 1552, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3525 Italian 16th Century, The Rich Man Being Carried Away by the Devil, after 1554, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3445 Heinrich Aldegrever, Hercules and the Hind, 1550, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3473 Tintoretto, Cristo risorgente (The risen Christ), c.1555, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5833 Heinrich Aldegrever, Dancing Couple, 1551, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3480 Heinrich Aldegrever, Ornament with Trophy of Arms, 1550, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3523 Italian 16th Century, Mercury, second half 16th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1256 Hanns Lautensack, Landscape with a Vineyard, 1559, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8248 Lucas Cranach the Younger, Bildnis Philipp Melanchthons (1497–1560), 1559, Mischtechnik auf Holz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3195 Johannes van Doetechum the Elder, Euntes in Emaus (The Pilgrims to Emmaus), c. 1555/1557, etching and engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/728 Italian 16th Century, Ecce Homo, second half 16th century, gilded copper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1354 Philip Galle, Charity, published 1559, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/5281 Heinrich Aldegrever, Dancing Couple, 1551, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3481 Heinrich Aldegrever, Three Musicians, 1551, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3475