Cornelis de Bye, Coconut Cup with Old Testament Scenes, before 1598 (Renaissance), coconut, silver mounts, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/57.1046

after Cornelis Cort, Untitled (nativity scene), c.1550–70s, repro. c.1880s?, Photogravure reproduction of an engraving, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12515

Chinese, Bottle Vase Made for a Portuguese Trader, 1552 (Late Ming Dynasty), porcelain with underglaze blue, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/49.1616

Venetian, Portrait of a Nobleman in Armor, c. 1570–1580 (Late Renaissance), cast bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/27.409

Jean de Court, Apollo and the Muses, 1555–1585 (Renaissance), enamel over foil on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.207

Hieronymus - Engraver, BOL, after Hans Cock, View of a village with a chariot drawn by two horses, c.1551–63, Etching on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3718

Christoph Schissler, Portable Drum Watch, 1550–1570 (Renaissance), gilded brass case, partially gilded brass dial with traces of unidentified red pigment, iron and brass movement, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/58.70

Heinrich Aldegrever, Hercules Slaying the Dragon Ladon (from 'The Labours of Hercules'), 1550, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/22669

Jean Miette, Portrait of the Emperor Vitellius, 2nd half 16th century, painted enamels on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.166

Flemish, Plaque with Saint John the Baptist Preaching, 1550–1600 (Renaissance), gilded bronze, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/54.1044

German, Plaque with a Battle of Naked Men over the Abduction of a Woman, 1550–1575 (Late Renaissance), ivory, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/71.316

after Cornelis Cort, Battle of Hannibal, c.1550–70s, repro. c.1880s?, Photogravure reproduction of an engraving, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/11498

Italian, Powder Flask, 1550–1575 (Renaissance), molded leather, wood, iron, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/51.592

Léonard Limosin, Portrait of a Gentleman, 1550–1570 (Baroque), painted enamel on copper, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/44.268

Heinrich Aldegrever, Lot Prevents the Inhabitants of Sodom from Violence (from a set of four plates on 'The Story of Lot'), 1555, Engraving on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/22668

Tintoretto, Cristo risorgente (The risen Christ), c.1555, Oil on canvas, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/5833