Italian 16th Century, The Triumph of Flora, mid 16th century, gilded bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1393

Correggio, Sitzende Figur nach links, c. 1523, Pinsel (und Feder?) in Braun über Rötel, braun laviert, allseitige Einfassungslinie mit der Feder in Braun, auf rötlich getöntem geripptem Papier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/20377

Dosso Dossi, Saint Lucretia, c. 1520, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/532

Peregrino da Cesena, The Triumph of Galatea, c. 1520, niello print, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9489

Italian 16th Century, Walnut Savonarola Chair with Letters A.G., c. 1520/1540, walnut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1542

Francesco Xanto Avelli, Shallow bowl on low foot with the Conversion of Saul, c. 1525, tin-glazed earthenware (maiolica), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1509

Bartolomeo Veneto, Idealbildnis einer jungen Dame als Flora, c. 1520, Mischtechnik auf Pappelholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1068

Correggio, Entwurf zu einem Teil des Kuppelgemäldes in Parma, c. 1523–1524, Rötel und Feder in Braun, zwei Segmente von Zirkellinien mit roter Kreide, quadriert, unten rechts Reste einer Einfassungslinie mit der Feder in Grau, auf Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/7048

Italian 16th Century, Broad-rimmed bowl with border of urns and cherubs' heads; in the center, device of a bird standing on a bundle with the inscription VINCENZO, 1529, tin-glazed earthenware (maiolica), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1504

Florentine 16th Century, Dantesca Chair, Silver Gilt with Bronze Mountings, c. 1520, walnut, embossed brass or copper sheet metal, and cast and gilded brass, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1517

Italian 16th Century, Broad-rimmed bowl with border of dolphins and "delphigriffs"; in the center, head of a young man, c. 1520/1530, tin-glazed earthenware (maiolica), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1503

Domenico Campagnola, Saint Jerome in a Landscape, c. 1530, pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111066

Lorenzo Lotto, Saint Catherine, 1522, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/258

Italian 16th Century, Plate with the reconciliation of Cupid and Minerva, 1525, tin-glazed earthenware (maiolica), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1493

Italian 16th Century, Descent from the Cross, mid 16th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1418

Bernardino Luini, Portrait of a Lady, 1520/1525, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/44

Giuliano Bugiardini, Leonardo de' Ginori, c. 1528, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1175

Italian 16th Century, Plate with border of foliate scrollwork; in the center, shield of arms of Vigerio of Savona, 1524, tin-glazed earthenware (maiolica), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1491

Italian 16th Century, Self-Portrait, 1525, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8561

Italian 16th Century, Francesco I of Carrara, mid 16th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1299

Giovanni della Robbia, Dovizia (Plenty), c. 1520–29, glazed terracotta, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/119458

Italian 16th Century, The Triumph of Flora, mid 16th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1394

Italian 16th Century, Plate with border of palmettes and scrollwork; in the center, a shield of arms and the initials A.F., 1526, tin-glazed earthenware (maiolica), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1495

Andrea del Sarto, The Sacrifice of Isaac, c. 1527, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117032

Italian 16th Century, Walnut Savonarola Chair with Dolphins, c. 1520/1540, walnut, with oak feet, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1553

Italian 16th Century, Hercules and Antaeus, c. 1525, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1258

Florentine 16th Century, Ugolino Martelli, mid 16th century, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/220

Dosso Dossi, The Trojans Repairing Their Ships in Sicily, c. 1520, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/391

Giovanni Antonio da Brescia, Discovery of Joseph's Cup, c. 1521/1525, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6083

Lorenzo Lotto, The Nativity, 1523, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/431

Italian 16th Century, Flat plate with a battle scene, 1525, tin-glazed earthenware (maiolica), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1494

Italian 16th Century, Walnut Savonarola Chair with Letters G.M., c. 1520/1540, walnut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1552

Giovanni Battista Moroni, Portrait of a Gentleman with a Dog, 1560–1565 (Renaissance), oil on canvas, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.501

Giovanni della Robbia, Dovizia, c. 1520, Glazed terracotta, polychromed, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/15.211

Nicola da Urbino, Panel with the Adoration of the Magi, c. 1525, tin-glazed earthenware (maiolica), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1501

Marco Basaiti, Madonna Adoring the Child, c. 1520, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/285

Agnolo Bronzino, The Holy Family, c. 1527/1528, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/531

Bartolomeo Veneto, Portrait of a Gentleman, c. 1520, oil on panel transferred to canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/398

Italian 16th Century, Madonna and Child with Saint John, mid 16th century, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1384

Italian 16th Century, Broad-rimmed bowl with palmette and cornucopia border; in the center, shield of arms of the Saracinelli of Orvieto, c. 1525/1528, tin-glazed earthenware (maiolica), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1489

Italian 16th Century, Shallow bowl with Hercules overcoming Antaeus, 1520, tin-glazed earthenware (maiolica), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1490

Italian 16th Century, Plate with border of foliate scrollwork with dolphin heads and cornucopias; in the center, shield of arms of Vigerio of Savona, 1524, tin-glazed earthenware (maiolica), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1492

Andrea Zoan, Page from Livius Historiabum Libri, 1520, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3652

Enea Vico, Old Woman with a Distaff, 1523, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/597

Giuliano Bugiardini, Portrait of a Young Woman, c. 1525, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/172