Flanders (Tournai), The Ship of Virtues, c. 1528–40, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/42.15

Pieter Pannemaker I, The Crucifixion, c. 1520, tapestry: undyed wool warp; spun silver, silver-gilt, and dyed silk and wool weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1608

Anonymous Artist, The Deposition, c. 1520, tapestry: undyed wool warp; spun silver, silver-gilt, and dyed silk and wool weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1609

France, The Virgin and Saint John, c. 1520, Wool, silk, tapestry weave, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/14.13

Pieter Pannemaker I, The Garden of Gethsemane, c. 1520, tapestry: undyed wool warp; spun silver, silver-gilt, and dyed silk and wool weft, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1607

Circle of Bernard van Orley, February, before 1528, Wool and silk, slit and double interlocking tapestry weave
Warp: Count: 6 warps per cm; wool: S-ply of six Z-spun elements; ; diameters: 0.8–1.0 mm
Weft: Count: varies from 26 to 60 wefts per cm; wool: S-ply of two Z-spun elements; pairs of S-ply of two Z-spun elements; diameters: 0.2–1.0 mm; silk: pairs of S-ply of two Z-twisted elements; diameters; 0.25–0.7 mm, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/73058