Italian 15th Century, The Madonna and Child in a Rosary, c. 1490, woodcut, hand-colored in mauve purple, vermilion, gray-blue, probably by stencil, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3780

Martin Schongauer, Saint Stephen, c. 1490/1491, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3278

Israhel van Meckenem, Massacre of the Innocents, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3321

Albrecht Dürer, Lady on Horseback and the Lansquenet, c. 1497, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6581

Marco Basaiti, Portrait of a Young Man with Fur Collar, c. 1505 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.444

Albrecht Dürer, Hercules at the Crossroad, 1498/1499, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6600

Israhel van Meckenem, The Lovers, c. 1490, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3367

Israhel van Meckenem, The Dissimilar Couple, c. 1495/1503, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3370

Albrecht Dürer, The Beast with Two Horns like a Lamb, probably c. 1496/1498, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/604

Italian 15th Century, The Mass of Saint Gregory [recto], c. 1490, woodcut, hand-colored in red, yellow, cinnamon, lilac, possibly with stencil, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3824

Agnolo di Domenico del Mazziere, Portrait of a Youth, c. 1495/1500, oil on panel transferred to canvas and solid support, National Gallery of Art, Washington. https://dartabase.art/cite/nga/437

Hans Burgkmair I, Saint Valentine, Saint Stephen and Saint Maximilian, 1498, color woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3972

Israhel van Meckenem, The Angry Wife, c. 1495/1503, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3372

Israhel van Meckenem, Double Portrait of Israhel van Meckenem and His Wife Ida, c. 1490, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3311

Albrecht Dürer, Vier nackte Frauen, 1496–1497, Kupferstich auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4990

Albrecht Dürer, Sea Monster ("Das Meerwunder"), c. 1498, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6601

Macrino d'Alba, Begegnung von Joachim und Anna an der Goldenen Pforte, c. 1493–1494, Mischtechnik auf Pappelholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2280

Carlo Crivelli, Madonna and Child, c. 1490, tempera on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/407

Pietro Perugino, Madonna mit Kind und Johannesknaben, 1495–1500, Mischtechnik auf Pappelholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/839

Michael Wolgemut, The Crucifixion with Saint Mary Magdalene, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3866

Israhel van Meckenem, Saint Peter, c. 1490/1503, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3342

Italian 15th Century, The Flight into Egypt, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7777

Albrecht Dürer, The Ravisher, c. 1495, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6570

Italian 15th Century, Christ on the Cross, c. 1490, woodcut, hand-colored in red, light blue, and gray on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3697

Albrecht Dürer, The Beast with Two Horns like a Lamb (from 'The Apocalypse' series), c.1496–97, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19087

Albrecht Dürer, The Whore of Babylon (from 'The Apocalypse' series), c.1496–97, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19253

Israhel van Meckenem, The Marriage of the Virgin, c. 1490/1500, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3319

Andrea Mantegna, The Triumph of Caesar: Soldiers Carrying Trophies, c. 1497/1498, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8701

Israhel van Meckenem, The Churchgoers, c. 1495/1503, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3368

Italian 15th Century, Friedrich Count of Schaumberg - Bishop of Salzburg, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3874

Italian 15th Century, The Madonna and Child in a Rosary, c. 1490, woodcut, hand-colored in light purple, rose carmine, gray on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3778

Italian 15th Century, The Madonna and Child in a Rosary, c. 1490, woodcut, hand-colored in brown, red, and green, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3777

Nicolas Leclerc, Anne of Brittany, 1477-1514, Wife of Louis XII 1498 [reverse], 1499/1500, gilded bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1303

Italian 15th Century, Christ on the Cross with Angels, 1490/1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3750

Wolfgang Beurer, Bildnis eines Mannes, 1495–1500, Mischtechnik auf Lindenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/334

Italian 16th Century, Deep bowl with "Persian palmette" ornament; in the center, a profile bust of a young man wearing a wreath, c. 1490/1500, tin-glazed earthenware (maiolica), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1476

Master FVB, Saint Simon, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3410

Martin Schongauer, Second Foolish Virgin, c. 1490, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3288

Albrecht Dürer, The Apocalyptic Woman (from 'The Apocalypse' series), c.1497, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12708

Italian 15th Century, Christ on the Cross, c. 1490/1500, woodcut, hand-colored in blue-green, vermilion, lavender, brown, olive, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3703

Fiorenzo di Lorenzo, Thronende Madonna mit Kind und den Heiligen Christophorus und Sebastian, c. 1498–1525, Mischtechnik auf Pappelholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1069

Meister des Bartholomäusaltars, Die Heilige Familie, c. 1495–1500, Mischtechnik auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3303

Ambrogio de Predis, Bianca Maria Sforza, probably 1493, oil on poplar panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1192

Albrecht Dürer, Little Fortune, c. 1496, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6579

Albrecht Dürer, The Vision of the Seven Candlesticks, probably c. 1496/1498, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/848

Albrecht Dürer, Promenade, c. 1497, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6576

Macrino d'Alba, Madonna mit Kind, Verheißung an Joachim, Begegnung Joachims und Annas an der Goldenen Pforte, c. 1493–1494, Mischtechnik auf Pappelholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/101748

Andrea Mantegna, Hercules and Antaeus, c. 1495, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/587

Albrecht Dürer, The Martyrdom of Saint John, probably c. 1496/1498, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/847

Italian 15th Century, Saints Christopher, Sebastian, and Roche, c. 1495, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3947

Giovanni Bernardi, Apollo and Marsyas, 1496, gilded bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1340

Italian 15th Century, Christ on the Cross, c. 1490/1500, woodcut, hand-colored in blue, red, vermillion, olive, green, yellow, and rose, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3702

Erhard Etzlaub, Road Map of Central Europe, c. 1500, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4592

Spanish (Castile), Massacre of the Firstborn and Egyptian Darkness, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3930

Albrecht Dürer, St John before God and the Elders (from 'The Apocalypse' series), c.1496, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12703

Albrecht Dürer, Saint Catherine of Alexandria, 1490–1528, Pen and brown ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334817

Francesco Francia, Triton and Nymph, c. 1490/1510, niello print, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9477

Albrecht Dürer, Christ on the Cross Between the Virgin and Saint John, 1493, woodcut on laid paper, hand-colored with watercolor and gouache and gold leaf, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3693

Italian 15th Century, Christ in the Tomb with Two Angels, 1490/1500, woodcut, hand-colored in red, orange-yellow, blue-green, green, and gold, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3761

Master FVB, Saint Judas Thaddaeus, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3411

Meister des Pfullendorfer Altars, Geburt Christi, c. 1497–1503, Mischtechnik auf Tannenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3310

Italian 15th Century, The Agony in the Garden, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8243

Andrea Mantegna, Four Dancing Muses, after 1497, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8699

Italian 15th Century, Christ on the Cross with Angels, c. 1490, woodcut, hand-colored in blue, yellow, orange, green, brown, carmine, and gold on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3755

Francesco Rizzo da Santacroce, Holy Family with Zacharias and the Young Saint John the Baptist, c. 1510 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.569

Albrecht Dürer, The Flagellation, c. 1497, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6736

Albrecht Dürer, Das Männerbad, c. 1496–1497, monogrammierter Holzschnitt auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4989

Italian 15th Century, The Man of Sorrows with a Franciscan, 1490–1500, woodcut, hand-colored in red, blue, green-yellow, gray, and flesh, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3749

Albrecht Dürer, Four Naked Women, 1497, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6580

Albrecht Dürer, The Penance of Saint John Chrysostom, c. 1497, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6578

Raffaello Botticini, Madonna and Child with the Young St. John and Two Angels, c. 1505 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.1040

Master of the Legend of Saint Lucy, Lamentation with Saint John the Baptist and Saint Catherine of Alexandria, 1493–1501, Oil on panel, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/35.7.87

Albrecht Dürer, The Virgin on the Crescent, c. 1498/1499, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6592

Martin Schongauer, Fourth Wise Virgin, c. 1490, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3287

Neroccio de' Landi, Claudia Quinta, c. 1490/1495, tempera on poplar panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/14

Italian 15th Century, The Man of Sorrows, c. 1490, hand-colored woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4021

Meister des Pfullendorfer Altars, Beweinung unter dem Kreuz (Fragment), c. 1497–1503, Mischtechnik auf Tannenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3312

Albrecht Dürer, The Rustic Couple (The Peasant and His Wife), (1497–1498), Engraving on paper; 4 3/16 x 3 in. (10.6 x 7.6 cm), Hirshhorn Museum and Sculpture Garden, Washington, D.C. https://dartabase.art/cite/smithsonian/ld1-1643399857816-1643399859640-1

Benedetto Briosco, Lodovico Sforza, Duke of Bari, early 1490s, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/127

Anonymous Artist, Saint Jerome in the Wilderness, c. 1490/1500, tempera on poplar panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/423

Francesco Francia, Hercules and Deianira, c. 1490/1510, niello print, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9478

Macrino d'Alba, Madonna mit Kind, c. 1493–1494, Mischtechnik auf Pappelholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2278

Albrecht Dürer, Christ on the Mount of Olives, c. 1497/1499, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6686

Gerard David, The Crucifixion, c. 1495, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436098

Albrecht Dürer, Saint John Devouring the Book, probably c. 1496/1498, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/851

Italian 15th Century, The Transportation of the Holy House of Loreto, 1494, woodcut, hand-colored in tan, dark gray-green, orange, and purple; the green and orange may have been applied by means of a stencil, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3937

Italian 15th Century, Christ before Pilate, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8745

Juan de Flandes, The Birth and Naming of John the Baptist, 1496–99, oil on wood, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/148301

Italian 15th Century, The Nativity, 1490/1500, woodcut, hand-colored in red, brown, slate blue, ochre, and blue, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3665

Italian 15th Century, Treason of Judas, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8189

Macrino d'Alba, Die Verheißung an Joachim, c. 1493–1494, Mischtechnik auf Pappelholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/2279

Albrecht Dürer, The Little Courier, c. 1496, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6574

Meister des Pfullendorfer Altars, Verkündigung an Maria, c. 1497–1503, Mischtechnik auf Tannenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3307

Israhel van Meckenem, The Knight and the Lady, c. 1495/1503, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3369

Albrecht Dürer, Bath House, c. 1496/1497, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/618

Gregorio di Lorenzo (Master of the Marble Madonnas), Pietro Talani, 1490s, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1244

Italian 15th Century, The Way of Salvation, c. 1490, woodcut in brown, hand-colored in green, yellow, red lake, blue, brown, and orange (border), National Gallery of Art, Washington. https://dartabase.art/cite/nga/3854

Meister des Pfullendorfer Altars, Pfullendorfer Altar: Verkündigung an Maria, Heimsuchung, Geburt Christi, Marientod, c. 1497–1503, Mischtechnik auf Tannenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/102051

Albrecht Dürer, The Dream of the Doctor (Temptation of the Idler), 1498/1499, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6599

Martin Schongauer, The Archangel Gabriel, c. 1490/1491, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3240

Albrecht Dürer, The Four Horsemen of The Apocalypse (from 'The Apocalypse' series), c.1497–98, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19090

Albrecht Dürer, Christ on the Mount of Olives, c. 1497/1499, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6734

Albrecht Dürer, The Babylonian Whore, probably c. 1496/1498, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/852

Albrecht Dürer, The Opening of the Seventh Seal (from 'The Apocalypse' series), c.1496–97, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/19088

Italian 15th Century, Christ on the Cross with a Grape Vine, c. 1490/1500, woodcut with hand-coloring on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4018

Italian 15th Century, Madonna and Child in a Landscape, c. 1490/1500, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/405

Albrecht Dürer, Die heimlich offenbarung iohannis, Titel der Folge der Apokalypse, Urausgabe Deutsch 1498, 1498, Holzschnitt, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/5871

Albrecht Dürer, Sol Iustitiae ("Sun of Righteousness"), c. 1499/1500, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6602

Albrecht Dürer, Peasant and His Wife, c. 1497/1498, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6584

Italian 15th Century, Allegory of the Eagle and Emperor Maximilian I, 1497, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3858

Manuscript illuminator: Attributed to Jean Poyer and his workshop, Miniature from a Book of Hours with Virgin and Christ Child, c. 1490–1500, Tempera and gold on parchment, Minneapolis Institute of Art, Minneapolis. https://dartabase.art/cite/mia/14.12

Lucas Cranach the Elder, Saint Catherine, late 15th–mid-16th century, Silverpoint, brush and brown ink, and indigo wash on vellum, pricked for transfer along brush lines, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334800

Agnolo di Domenico del Mazziere, Madonna and Child, 1492–1498 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.426

Andrea Mantegna, Judith with the Head of Holofernes, c. 1495/1500, tempera on poplar panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1181

Albrecht Dürer, The Crucifixion, c. 1497/1498, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6739

Albrecht Dürer, St John's Vision of the Seven Candlesticks (from 'The Apocalypse' series), c.1496–98, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12702

Italian 15th Century, Mocking of Christ, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4167

Albrecht Dürer, The Martyrdom of the Ten Thousand, c. 1496/1497, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6681

Albrecht Dürer, The Adoration of The Lamb (from 'The Apocalypse' series), c.1496–97, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/21615

Albrecht Dürer, The Babylonian Whore, probably c. 1496/1498, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6684

Meister des Pfullendorfer Altars, Heimsuchung, c. 1497–1503, Mischtechnik auf Tannenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3309

Giovanni Antonio da Brescia, Holy Family with Saint Elizabeth and the Infant Saint John, c. 1495/1505, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6079

Italian 15th Century, Council of High Priests, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4166

Italian 15th Century, A Monstrance Held by Two Angels, 1495/1500, woodcut, hand-colored in green, brown, rose, and olive, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3973

Piero di Cosimo, The Nativity with the Infant Saint John, c. 1495/1505, oil on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/515

Albrecht Dürer, The Lamentation, c. 1498/1499, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6740

Albrecht Dürer, The Opening of the Fifth and Sixth Seals (from 'The Apocalypse' series), c.1497–98, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12704

Italian 15th Century, Scourging of Christ, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8792

Giovanni della Robbia, Christ and the Samaritan Woman at the Well, c. 1500–1530, polychromed terracotta, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/104042

Albrecht Dürer, The Seven Angels with the Trumpets, probably c. 1496/1498, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/850

Italian 15th Century, Two Peasants, 1490s, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4543

Martin Schongauer, The Angel of Saint Matthew, c. 1490, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3283

Albrecht Dürer, The Monstrous Pig of Landser, probably 1496, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6575

Albrecht Dürer, St John Devouring the Book (from 'The Apocalypse' series), c.1498, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12707

Albrecht Dürer, The Martyrdom of St John the Evangelist (from 'The Apocalypse' series), c.1496–97, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/3286

Meister des Pfullendorfer Altars, Kreuzigung (Fragment), c. 1497–1503, Mischtechnik auf Tannenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3308

Italian 15th Century, The Adoration of the Magi (Virgin in the Grotto), c. 1500, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4532

Hieronymus Bosch, Ecce Homo, c. 1490, Mischtechnik auf Eichenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1563

Adriano Fiorentino, Female Figure Holding a Bridle [reverse], c. 1495/1499, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1293

Israhel van Meckenem, The Juggler and the Woman, c. 1495/1503, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3371

Giorgio Andreoli, Bowl with Crowned Pierced Heart, c. 1510–1520 (Renaissance), earthenware with tin glaze (maiolica) and luster decoration, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/48.1331

Italian 15th Century, Christ Washing the Apostles' Feet, c. 1490, woodcut, hand-colored in tan, green, rose, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4036

Italian 15th Century, Christ on the Cross, 1490, woodcut on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3690

Albrecht Dürer, The Beast with Two Horns like a Lamb, probably c. 1496/1498, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6683

Michael Wolgemut, The Crucifixion with Saint Mary Magdalene, c. 1490, hand-colored woodcut on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3704

Albrecht Dürer, The Holy Family with the Mayfly, 1495/1496, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6571

Italian 15th Century, Before Caiaphas, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8707

Albrecht Dürer, The Four Angels of Death (from 'The Apocalypse' series), c.1496–98, German edition, 1498, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12706

Giovanni di Domenico, The Virgin Annunciate, 1498/1503, stained glass, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1471

Albrecht Dürer, Der verlorene Sohn, c. 1496, monogrammierter Kupferstich auf geripptem Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/4984

Martin Schongauer, The Lion of Saint Mark, c. 1490, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3285

Albrecht Dürer, Five Soldiers and a Turk on Horseback, 1495/1496, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6573

Peregrino da Cesena, Abraham and Isaac on Their Way to Mount Moriah, c. 1490/1510, niello print, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9476

Italian 15th Century, Saint George (?), c. 1490, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3957

Italian 15th Century, Christ on the Cross, c. 1490, hand-colored woodcut on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3867

Ortolano, The Nativity, c. 1510 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.445

Peregrino da Cesena, Artaxerxes Receiving the Head of Cyrus, c. 1490/1510, niello print, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9481

Benvenuto di Giovanni, The Agony in the Garden, probably 1491, tempera on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/460

Master MZ, Kneeling Female Figure, late 15th–early 16th century, Pen and black ink, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/334924

Italian 16th Century, Plate with border of rounded hills within pointed arches with flowers between them; in the center, a wading bird between stylized plants, c. 1490/1525, tin-glazed earthenware (maiolica), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1487

Giovanni Bellini, Madonna mit Kind, Johannes dem Täufer und der heiligen Elisabeth, 1490–1500, Mischtechnik auf Pappelholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/849

Italian 15th Century, Christ lead to Prison, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8669

Italian 15th Century, Christ on the Mount of Olives, c. 1490, woodcut, hand-colored in green, carmine, rose, yellow, gray, blue, and brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3677

Master of the First Prayerbook of Maximillian, Hours of Queen Isabella the Catholic, Queen of Spain, c. 1500, ink, tempera, and gold on vellum, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/138885

Israhel van Meckenem, Circular Ornament with Musicians Playing near a Well, c. 1495/1503, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3375

Albrecht Dürer, St Michael Fighting the Dragon (from 'The Apocalypse' series), c.1497–98, Latin edition, 1511, Woodcut on paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/24245

Italian 15th Century, Saint Martin and the Beggar, c. 1490, woodcut with hand coloring on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3953

Antoniazzo Romano, Johannes der Täufer, c. 1490, Pappelholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1430

Albrecht Dürer, Saint Sebastian Bound to the Column, probably 1498/1499, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6594

Italian 15th Century, The Crucifixion, c. 1490/1500, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3956

Albrecht Dürer, Christ Carrying the Cross, c. 1498/1499, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6738

Cima da Conegliano, Madonna and Child with Saint Jerome and Saint John the Baptist, c. 1492/1495, oil on poplar panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/40

Albrecht Dürer, The Angel with the Key to the Bottomless Pit, probably c. 1496/1498, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6685

Albrecht Dürer, The Flagellation of Christ (from 'The Large Passion' series), c.1497–1500, printed 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12709

Israhel van Meckenem, Ornament Panel with Two Lovers, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3382

Albrecht Dürer, The Angel with the Key to the Bottomless Pit (from 'The Apocalypse' series), c.1496–97, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/500

Benozzo Gozzoli, The Raising of Lazarus, mid 1490s, oil (?) on canvas, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1163

Israhel van Meckenem, The Crucifixion, c. 1490/1500, engraving with traces of hand coloring on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3316

Gerard David, Christ Taking Leave of His Mother, c. 1500, Oil on wood, The Metropolitan Museum of Art, New York. https://dartabase.art/cite/met/436097

Peregrino da Cesena, The Triumph of Neptune, c. 1490/1510, niello print, National Gallery of Art, Washington. https://dartabase.art/cite/nga/9474

Master FVB, Saint Anthony, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3416

Italian 15th Century, Madonna in a Wreath of Roses, 1490/1500, woodcut, hand-colored in red lake, green, and gray-yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3765

Albrecht Dürer, Nürnbergerin und Venezianerin, c. 1495, Feder in dunklem Graubraun auf Büttenpapier, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/6067

Israhel van Meckenem, The Presentation in the Temple, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3320

THE MASTER OF FRANKFURT, Virgin and Child with Saint James the Pilgrim, Saint Catherine and the Donor with Saint Peter, c.1496, Oil on oak panel, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/13495

Albrecht Dürer, The Ill-Assorted Couple, 1495/1496, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6572

Albrecht Dürer, The Adoration of the Lamb, probably c. 1496/1498, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/849

Mathis Zündt, Richly Embellished Goblet, 1498, etching, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8751

Italian 16th Century, Plate with running plant border and geometric panels on well; in the center, profile bust of a man in armor, probably c. 1490/1520, tin-glazed earthenware (maiolica), National Gallery of Art, Washington. https://dartabase.art/cite/nga/1488

Giovanni Bernardi, The Continence of Scipio [reversed sense], 1496, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1341

Tilman Riemenschneider, Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt), c. 1495, alabaster, traces of polychromy, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/125103

Moderno, Diva Faustina [obverse], c. 1490, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1335

Cima da Conegliano, Madonna and Child, c. 1505 (Renaissance), oil on wood panel, Walters Art Museum, Baltimore. https://dartabase.art/cite/walters/37.600

Israhel van Meckenem, The Madonna with the Clock, c. 1490, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3330

Albrecht Dürer, The Holy Family with the Three Hares, c. 1497/1498, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/617

Giovanni Bellini, Portrait of a Young Man, c. 1490, oil on poplar panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/323

Italian 15th Century, Saint Sebastian, c. 1490, woodcut, hand-colored in green, red lake, olive, and yellow, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3841

Meister des Pfullendorfer Altars, Marientod, c. 1497–1503, Mischtechnik auf Tannenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/3311

Albrecht Dürer, The Prodigal Son, c. 1496, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6577

Giovanni Bernardi, Prometheus, 1496, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1342

Italian 15th Century, Baptism, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8005

Andrea Mantegna, Four Dancing Muses, after 1497, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/588

Bartolomeo Montagna, Madonna and Child, c. 1490, oil on poplar panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/170

Italian 15th Century, Presentation, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/7398

Albrecht Dürer, The Martyrdom of Saint John, probably c. 1496/1498, woodcut on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6682

Anonymous Artist, Gian Galeazzo Maria Sforza, Duke of Milan, early 1490s, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/128

Italian 15th Century, Betrayal, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8462

Albrecht Dürer, Ecce Homo, c. 1498/1499, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6737

Albrecht Dürer, The Deposition, c. 1497, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6741

Nicolas Leclerc, Louis XII, 1462-1515, King of France 1498 [obverse], 1499/1500, giltded bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1302

Albrecht Dürer, Three Peasants in Conversation, c. 1497, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6591

Albrecht Dürer, Bildnis einer jungen Frau mit offenem Haar, 1497, Wasserfarbe auf feiner Leinwand, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/931

Italian 15th Century, Man Walking Towards a Grave, c. 1495, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/4045

Sandro Botticelli, Madonna mit Kind und Johannesknaben, c. 1490–1500, Holz, auf Tischlerplatte übertragen, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/1055

Italian 15th Century, The Crucifixion, c. 1490/1500, woodcut, hand-colored, on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3875

Albrecht Dürer, The Deposition, c. 1497, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/6688

Albrecht Dürer, Five Landsknechte and an Oriental Man on Horseback, c. 1495, Engraving in black on ivory laid paper, Art Institute of Chicago, Chicago. https://dartabase.art/cite/aic/111843

Adriano Fiorentino, Elisabetta Gonzaga, died 1528, Duchess of Urbino, Wife of Guidobaldo I 1489 [obverse], c. 1495/1499, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1292

Israhel van Meckenem, The Birth of the Virgin, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3318

Italian 15th Century, Christ on the Cross with Angels, c. 1490, woodcut on vellum, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3754

Giovanni di Domenico, The Angel of the Annunciation, 1498/1503, stained glass, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1472

Albrecht Dürer, The Holy Family with the Mayfly, 1495/1496, engraving on laid paper, National Gallery of Art, Washington. https://dartabase.art/cite/nga/909

Italian 16th Century, Christ Attended in the Tomb by Four Angels, c. 1500, bronze, National Gallery of Art, Washington. https://dartabase.art/cite/nga/1349

Albrecht Dürer, The Crucifixion (from 'The Large Passion' series), c.1497–1500, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12710

Wolfgang Beurer, Bildnis einer Frau, 1495–1500, Mischtechnik auf Lindenholz, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/335

Israhel van Meckenem, The Organ Player and His Wife, c. 1495/1503, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3373

Italian 15th Century, Christ Stripped, c. 1490, hand-colored woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/8720

Italian 15th Century, Holy Kinship, 1490/1500, woodcut, hand-colored in green, yellow, red lake, and light brown, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3850

Albrecht Dürer, The Knight on Horseback and the Lansquenet, c. 1496/1497, woodcut, National Gallery of Art, Washington. https://dartabase.art/cite/nga/619

Monogrammist MZ, Sankt Katarinas martyrium, 1498–1502, Kobberstik, Statens Museum for Kunst (National Gallery of Denmark), Copenhagen. https://dartabase.art/cite/smk/KKSgb20277

Gasparo Cairano, Madonna and Child with Saints and Donors, 1490s, marble, National Gallery of Art, Washington. https://dartabase.art/cite/nga/478

Israhel van Meckenem, Seven Children at Play, c. 1490, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3365

Master FVB, Saint Philip, c. 1490/1500, engraving, National Gallery of Art, Washington. https://dartabase.art/cite/nga/3412

Albrecht Dürer, The Four Angels Staying the Winds (from 'The Apocalypse' series), c.1497–98, Latin edition, 1511, Woodcut on laid paper, Queensland Art Gallery and Gallery of Modern Art, Brisbane. https://dartabase.art/cite/qagoma/12705

Albrecht Dürer, Die Apokalypse, Einzeldrucke vor dem Text, c. 1497 - c. 1498, Holzschnitt, Städel Museum, Frankfurt am Main. https://dartabase.art/cite/staedel/107845

Alvise Vivarini, Portrait of a Man, c. 1495, oil on panel, National Gallery of Art, Washington. https://dartabase.art/cite/nga/499

Florentine 15th Century, Saint John the Baptist, c. 1490, painted terracotta, National Gallery of Art, Washington. https://dartabase.art/cite/nga/137