William Blake, The Holy Family (Christ in the Lap of Truth), c. 1805, black, gray, and brown ink applied with pen and point of brush; gray, pink, yellow, and green wash, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/127561

Jean Auguste Dominique Ingres, Madame Désiré Raoul-Rochette, 1830, graphite on cream wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/109295

Georges Seurat, At the Concert Parisien, 1887–88, conté crayon heightened with white chalk on cream handmade modern laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/135341

François Boucher, The Presentation in the Temple, c. 1770, pen and brown ink, brush and brown wash, and black chalk, heightened with white paint; framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/107008

Jean Honoré Fragonard, Invocation to Love, c. 1781, Brush and brown wash with graphite squaring lines and underdrawing on cream laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/123431

Honoré Daumier, Art Lovers, c. 1863, Gray and black wash, charcoal, and graphite, with watercolor, on cream laid paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/109042

Edgar Degas, Diego Martelli, 1879, charcoal and white chalk, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/130528

Giovanni Battista Piazzetta, A Young Woman Buying a Pink from a Young Man, c. 1740, black crayon (wetted and rubbed) heightened with white chalk on faded blue paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/117766

Edgar Degas, Sheet of Studies and Sketches, 1858, graphite, pen and dark brown ink, and watercolor on thick ivory wove paper, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/128808