Jean Antoine Watteau, Study for "The Romancer" (Le Conteur), c. 1716, red chalk; red and black chalk (upper left figure), Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/110060

François Boucher, The Presentation in the Temple, c. 1770, pen and brown ink, brush and brown wash, and black chalk, heightened with white paint; framing lines in pen and brown ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/107008

Nicolas Poussin, Nymphs and a Satyr (Amor Vincit Omnia), c. 1625–27, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/108555

Noël Nicolas Coypel, The Miracles of Saint James the Greater, 1726, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111479

Longton Hall Porcelain Factory, Figure of Britannia, c. 1756, soft-paste porcelain, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/97996

Canaletto, Capriccio: A Palace with a Courtyard by the Lagoon, c. 1750–55, pen and brown ink and brush and gray and black washes over traces of graphite (?); framing lines in pen and brown and black ink, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/111702

Jean-Marc Nattier, Portrait of a Woman as Diana, 1752, oil on canvas, Cleveland Museum of Art, Cleveland. https://dartabase.art/cite/cleveland/122347